Samuel Palmer

1805-1881 British Samuel Palmer Galleries English painter, draughtsman and etcher. Palmer was a key figure of English Romantic painting who represented, at least in his early work, its pastoral, intuitive and nostalgic aspects at their most intense. He is widely described as a visionary and linked with his friend and mentor William Blake, though he stood at an almost opposite extreme in his commitment to landscape and his innocent approach to its imagery. He had none of Blake irony or complexity and was inspired by a passionate love of nature that found its philosophical dimension in unquestioning Neo-Platonism.
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Samuel Palmer Coming from Evening Church oil


Coming from Evening Church
Painting ID::  26377 		Coming from Evening Church
mk49 1830 Mixed media on gesso on paper laid down on panel 30.5x19.7cm
   
   
     
Samuel Palmer Cornfield by Moonlight,with the Evening Star oil


Cornfield by Moonlight,with the Evening Star
Painting ID::  26378 		Cornfield by Moonlight,with the Evening Star
mk49 c.1830 Watercolour and gouache,with brown ink varnished. 19.7x29.8cm
   
   
     
Samuel Palmer In a Shoreham Garden oil


In a Shoreham Garden
Painting ID::  26383 		In a Shoreham Garden
mk49 c.1829 Indian ink with watercolour and gouache on prepared board 27.9x22.2cm
   
   
     
Samuel Palmer Pear Tree in a Walled Garden oil


Pear Tree in a Walled Garden
Painting ID::  26384 		Pear Tree in a Walled Garden
mk49 c.1829 Watercolour and gouache with gum arabic,over preliminary indications in brush and grey wash,with traces of graphite,on grey paper 22.2x28.2cm
   
   
     
Samuel Palmer Rellow Twilight oil


Rellow Twilight
Painting ID::  26385 		Rellow Twilight
mk49 c.1830 Watercolour and gouache with pen and black ink and gum arabic 16.5x27.5cm
   
   
     
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     Samuel Palmer
     1805-1881 British Samuel Palmer Galleries English painter, draughtsman and etcher. Palmer was a key figure of English Romantic painting who represented, at least in his early work, its pastoral, intuitive and nostalgic aspects at their most intense. He is widely described as a visionary and linked with his friend and mentor William Blake, though he stood at an almost opposite extreme in his commitment to landscape and his innocent approach to its imagery. He had none of Blake irony or complexity and was inspired by a passionate love of nature that found its philosophical dimension in unquestioning Neo-Platonism.

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