Samuel van hoogstraten

Dutch Baroque Era Painter, 1627-1678 Dutch portrait painter and etcher, studied with his father, Dirk van Hoogstraten (1596?C1640), and with Rembrandt. His best works, such as The Old Jew (Vienna), reflect the influence of Rembrandt. He was director of the Academy in Dordrecht and author of a treatise (1678) in which he analyzed the theory and practice of the art of Rembrandt and other artists of the period.
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Samuel van hoogstraten samuel van hoogstraten oil


samuel van hoogstraten
Painting ID::  24687 		samuel van hoogstraten
canva 102.5x85.1cm 1645 Chicago,Art Institute,
canva 102.5x85.1cm 1645 Chicago,Art_Institute,
   
   
     
Samuel van hoogstraten Self-portrait with a Medallion on a gold chain (mk33) oil


Self-portrait with a Medallion on a gold chain (mk33)
Painting ID::  24689 		Self-portrait with a Medallion on a gold chain (mk33)
panel. 55x46cm
panel. 55x46cm
   
   
     
Samuel van hoogstraten A Young Man wearing a Hat decorated with Pearls and a gold Medallion in a Half-Door (mk33) oil


A Young Man wearing a Hat decorated with Pearls and a gold Medallion in a Half-Door (mk33)
Painting ID::  24690 		A Young Man wearing a Hat decorated with Pearls and a gold Medallion in a Half-Door (mk33)
canvas 42x36cm Hermitage Museum Lleningrad
canvas 42x36cm Hermitage_Museum_Lleningrad
   
   
     
Samuel van hoogstraten Self-Portrait at the Age of Seventeen,wtih Still Life oil


Self-Portrait at the Age of Seventeen,wtih Still Life
Painting ID::  26797 		Self-Portrait at the Age of Seventeen,wtih Still Life
mk52 1644 Oil on wood 58x74cm Museum Boymans-Van Beuningen,RoTTERDAM
   
   
     
Samuel van hoogstraten Still Life oil


Still Life
Painting ID::  33732 		Still Life
mk86 c.1666-1668 Oil on canvas 63x79cm Karlsruhe,Staatliche Kunsthalle
   
   
     
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     Samuel van hoogstraten
     Dutch Baroque Era Painter, 1627-1678 Dutch portrait painter and etcher, studied with his father, Dirk van Hoogstraten (1596?C1640), and with Rembrandt. His best works, such as The Old Jew (Vienna), reflect the influence of Rembrandt. He was director of the Academy in Dordrecht and author of a treatise (1678) in which he analyzed the theory and practice of the art of Rembrandt and other artists of the period.

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