Sandro Botticelli

Italian Early Renaissance Painter, 1445-1510 Italian painter and draughtsman. In his lifetime he was one of the most esteemed painters in Italy, enjoying the patronage of the leading families of Florence, in particular the Medici and their banking clients. He was summoned to take part in the decoration of the Sistine Chapel in Rome, was highly commended by diplomatic agents to Ludovico Sforza in Milan and Isabella d Este in Mantua and also received enthusiastic praise from the famous mathematician Luca Pacioli and the humanist poet Ugolino Verino. By the time of his death, however, Botticelli s reputation was already waning. He was overshadowed first by the advent of what Vasari called the maniera devota, a new style by Perugino, Francesco Francia and the young Raphael, whose new and humanly affective sentiment, infused atmospheric effects and sweet colourism took Italy by storm; he was then eclipsed with the establishment immediately afterwards of the High Renaissance style, which Vasari called the modern manner, in the paintings of Michelangelo and the mature works of Raphael in the Vatican. From that time his name virtually disappeared until the reassessment of his reputation that gathered momentum in the 1890s


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Sandro Botticelli Trinity with Mary Magdalene,St John the Baptist,Tobias and the Angel oil


Trinity with Mary Magdalene,St John the Baptist,Tobias and the Angel
Painting ID::  27005
Trinity with Mary Magdalene,St John the Baptist,Tobias and the Angel
1490-1485 London,Courtauld Institute (mk57)
1490-1485 London,Courtauld_Institute_(mk57)
   
   
     

Sandro Botticelli Lament for Christ Dead,with St Jerome,St Paul and St Peter oil


Lament for Christ Dead,with St Jerome,St Paul and St Peter
Painting ID::  27024
Lament for Christ Dead,with St Jerome,St Paul and St Peter
c 1495 Munich,Alte Pinakothek (mk57)
c_1495 Munich,Alte_Pinakothek_(mk57)
   
   
     

Sandro Botticelli Lament for Christ Dead oil


Lament for Christ Dead
Painting ID::  27026
Lament for Christ Dead
c 1495 Milan,Museo Poldi Pezzoli (mk57)
c_1495 Milan,Museo_Poldi_Pezzoli_(mk57)
   
   
     

Sandro Botticelli Madonna in Adoration of the Christ Child oil


Madonna in Adoration of the Christ Child
Painting ID::  27028
Madonna in Adoration of the Christ Child
c 1490 Washington,National Gallery of Art (mk57)
c_1490 Washington,National_Gallery_of_Art_(mk57)
   
   
     

Sandro Botticelli Annunciation oil


Annunciation
Painting ID::  27029
Annunciation
1490-1493 New York,Metropolitan Museum of Art (mk57)
1490-1493 New_York,Metropolitan_Museum_of_Art_(mk57)
   
   
     

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     Sandro Botticelli
     Italian Early Renaissance Painter, 1445-1510 Italian painter and draughtsman. In his lifetime he was one of the most esteemed painters in Italy, enjoying the patronage of the leading families of Florence, in particular the Medici and their banking clients. He was summoned to take part in the decoration of the Sistine Chapel in Rome, was highly commended by diplomatic agents to Ludovico Sforza in Milan and Isabella d Este in Mantua and also received enthusiastic praise from the famous mathematician Luca Pacioli and the humanist poet Ugolino Verino. By the time of his death, however, Botticelli s reputation was already waning. He was overshadowed first by the advent of what Vasari called the maniera devota, a new style by Perugino, Francesco Francia and the young Raphael, whose new and humanly affective sentiment, infused atmospheric effects and sweet colourism took Italy by storm; he was then eclipsed with the establishment immediately afterwards of the High Renaissance style, which Vasari called the modern manner, in the paintings of Michelangelo and the mature works of Raphael in the Vatican. From that time his name virtually disappeared until the reassessment of his reputation that gathered momentum in the 1890s

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