Sebastiano del Piombo

1485-1547 Italian Sebastiano del Piombo Galleries Italian painter. He was one of the most important artists in Italy in the first half of the 16th century, active in Venice and Rome. His early, Venetian, paintings are reminiscent of Giovanni Bellini and to a lesser extent of Giorgione. With his move to Rome in 1511 he came under the influence of Raphael and then of Michelangelo, who supplied him with drawings. After the death of Raphael (1520) he was the leading painter working in Rome and was particularly noted as a portrait painter. In his finest works, such as the Piete (1513; Viterbo, Mus. Civ.) and the Flagellation (1516-24; Rome, S Pietro in Montorio), there is a remarkable fusion of the Venetian use of colour and the grand manner of central Italian classicism.
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Sebastiano del Piombo Martyrdom of St Agatha oil


Martyrdom of St Agatha
Painting ID::  88574 		Martyrdom of St Agatha
1520(1520) Medium Oil on wood cyf
1520(1520) _ Medium_Oil_on_wood _ cyf
   
   
     
Sebastiano del Piombo A Young Roman Woman oil


A Young Roman Woman
Painting ID::  89749 		A Young Roman Woman
between 1512(1512) and 1513(1513) Medium oil on poplar cyf
   
   
     
Sebastiano del Piombo Portrait of a Man oil


Portrait of a Man
Painting ID::  90033 		Portrait of a Man
between 1512(1512) and 1514(1514) Medium oil on poplar cyf
   
   
     
Sebastiano del Piombo Portrait of a Woman oil


Portrait of a Woman
Painting ID::  90988 		Portrait of a Woman
1512(1512) Medium oil on panel Dimensions Height: 68 cm (26.8 in). Width: 55 cm (21.7 in). cyf
   
   
     
Sebastiano del Piombo The Daughter of Herodias oil


The Daughter of Herodias
Painting ID::  91399 		The Daughter of Herodias
oil on panel Dimensions Height: 54.9 cm (21.6 in). Width: 44.5 cm (17.5 in). cjr
   
   
     
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     Sebastiano del Piombo
     1485-1547 Italian Sebastiano del Piombo Galleries Italian painter. He was one of the most important artists in Italy in the first half of the 16th century, active in Venice and Rome. His early, Venetian, paintings are reminiscent of Giovanni Bellini and to a lesser extent of Giorgione. With his move to Rome in 1511 he came under the influence of Raphael and then of Michelangelo, who supplied him with drawings. After the death of Raphael (1520) he was the leading painter working in Rome and was particularly noted as a portrait painter. In his finest works, such as the Piete (1513; Viterbo, Mus. Civ.) and the Flagellation (1516-24; Rome, S Pietro in Montorio), there is a remarkable fusion of the Venetian use of colour and the grand manner of central Italian classicism.

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