Thomas Girtin

English Romantic Painter, 1775-1802 English painter, draughtsman and printmaker. With his rival, J. M. W. Turner, he extended the technical possibilities of watercolour and in doing so demonstrated that watercolours could have the visual impact and emotional range of oils. Although close in style throughout the 1790s, by 1800 Turner and Girtin were beginning to diverge: whereas the former dissolved forms to express his idea of Nature in a state of flux, the latter sought out a landscape's underlying patterns to convey his awe of Nature's permanence as well as its grandeur. Girtin's reduction of landscape to simple and monumental forms
       Prev  1  2  3  4   Next
  Prev Artist       Next Artist     
   
    
Thomas Girtin Das Weibe Haus in Chelsea oil


Das Weibe Haus in Chelsea
Painting ID::  94487 		Das Weibe Haus in Chelsea
1800 Dimensions 29,8 x 51,4 cm cjr
1800 _ _ Dimensions_29,8_x_51,4_cm _ cjr
   
   
     
Thomas Girtin Interior of Lindisfarne Priory oil


Interior of Lindisfarne Priory
Painting ID::  94488 		Interior of Lindisfarne Priory
1797(1797) cjr
1797(1797) cjr
   
   
     
Thomas Girtin Lindisfarne oil


Lindisfarne
Painting ID::  94489 		Lindisfarne
1798(1798) cjr
1798(1798) cjr
   
   
     
Thomas Girtin Bamburgh Castle, Northumberland oil


Bamburgh Castle, Northumberland
Painting ID::  94491 		Bamburgh Castle, Northumberland
1797-1799 Dimensions 55 x 45 cm (21.7 x 17.7 in) cjr
   
   
     
Thomas Girtin Die Kathedrale von Durham und die Brucke, vom Flub Wear aus gesehen oil


Die Kathedrale von Durham und die Brucke, vom Flub Wear aus gesehen
Painting ID::  94492 		Die Kathedrale von Durham und die Brucke, vom Flub Wear aus gesehen
1799(1799) Dimensions 41,5 x 53,6 cm cjr
1799(1799) _ _ Dimensions_41,5_x_53,6_cm _ cjr
   
   
     
       Prev  1  2  3  4   Next
Prev Artist       Next Artist     
     Thomas Girtin
     English Romantic Painter, 1775-1802 English painter, draughtsman and printmaker. With his rival, J. M. W. Turner, he extended the technical possibilities of watercolour and in doing so demonstrated that watercolours could have the visual impact and emotional range of oils. Although close in style throughout the 1790s, by 1800 Turner and Girtin were beginning to diverge: whereas the former dissolved forms to express his idea of Nature in a state of flux, the latter sought out a landscape's underlying patterns to convey his awe of Nature's permanence as well as its grandeur. Girtin's reduction of landscape to simple and monumental forms

CONTACT US
Xiamen China Wholesale Oil Painting Stretcher Bar Frame Moulding Mirror Framed Stretched Paintings