Thomas Girtin

English Romantic Painter, 1775-1802 English painter, draughtsman and printmaker. With his rival, J. M. W. Turner, he extended the technical possibilities of watercolour and in doing so demonstrated that watercolours could have the visual impact and emotional range of oils. Although close in style throughout the 1790s, by 1800 Turner and Girtin were beginning to diverge: whereas the former dissolved forms to express his idea of Nature in a state of flux, the latter sought out a landscape's underlying patterns to convey his awe of Nature's permanence as well as its grandeur. Girtin's reduction of landscape to simple and monumental forms
       Prev  1  2  3  4   Next
  Prev Artist       Next Artist     
   
    
Thomas Girtin Kirkstall Abbey,Yorkshire-Evening (mk47) oil


Kirkstall Abbey,Yorkshire-Evening (mk47)
Painting ID::  26066 		Kirkstall Abbey,Yorkshire-Evening (mk47)
c.1800 Watercolour 317x520mm Victoria & Albert Museum,London
   
   
     
Thomas Girtin The White House at Chelsea oil


The White House at Chelsea
Painting ID::  31322 		The White House at Chelsea
nn07
nn07
   
   
     
Thomas Girtin Bamburgh Castle, oil


Bamburgh Castle,
Painting ID::  32783 		Bamburgh Castle,
mk81 Northumberland c.1797-9
mk81 Northumberland c.1797-9
   
   
     
Thomas Girtin berry pomeroy castle,devon oil


berry pomeroy castle,devon
Painting ID::  56164 		berry pomeroy castle,devon
mk247 1798,watercolor on paper,10.875x15.375 in,27.5x39 cm,sotheby s,london,uk
   
   
     
Thomas Girtin the tihe barn abbotsbuy oil


the tihe barn abbotsbuy
Painting ID::  56592 		the tihe barn abbotsbuy
mk248 girtin farglade ofta de skissrt som ban gjorde ute i det fria,mran ban brukade begransa sig till tua eller tre farger manga blev forlaga till fullbordade akvaller men banromd att samlare aven ville kopa bans skissern vittnar om.
   
   
     
       Prev  1  2  3  4   Next
Prev Artist       Next Artist     
     Thomas Girtin
     English Romantic Painter, 1775-1802 English painter, draughtsman and printmaker. With his rival, J. M. W. Turner, he extended the technical possibilities of watercolour and in doing so demonstrated that watercolours could have the visual impact and emotional range of oils. Although close in style throughout the 1790s, by 1800 Turner and Girtin were beginning to diverge: whereas the former dissolved forms to express his idea of Nature in a state of flux, the latter sought out a landscape's underlying patterns to convey his awe of Nature's permanence as well as its grandeur. Girtin's reduction of landscape to simple and monumental forms

CONTACT US
Xiamen China Wholesale Oil Painting Stretcher Bar Frame Moulding Mirror Framed Stretched Paintings