Tintoretto

Italian Mannerist Painter, ca.1518-1594 His father was a silk dyer (tintore); hence the nickname Tintoretto ("Little Dyer"). His early influences include Michelangelo and Titian. In Christ and the Adulteress (c. 1545) figures are set in vast spaces in fanciful perspectives, in distinctly Mannerist style. In 1548 he became the centre of attention of artists and literary men in Venice with his St. Mark Freeing the Slave, so rich in structural elements of post-Michelangelo Roman art that it is surprising to learn that he had never visited Rome. By 1555 he was a famous and sought-after painter, with a style marked by quickness of execution, great vivacity of colour, a predilection for variegated perspective, and a dynamic conception of space. In his most important undertaking, the decoration of Venice's Scuola Grande di San Rocco (1564 C 88), he exhibited his passionate style and profound religious faith. His technique and vision were wholly personal and constantly evolving.
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Tintoretto adam and eve oil


adam and eve
Painting ID::  56692 		adam and eve
mk247 c.1550,oil on canvas,59x86.5 in,150x220 cm,gallerie dell-accademia,venice,ltaly
   
   
     
Tintoretto Slave miracle oil


Slave miracle
Painting ID::  56839 		Slave miracle
mk250 Year in 1548, Oil on canvas, about 426.7 x 548.6 cm. Venice Fine Arts Academy.
   
   
     
Tintoretto The Last Supper oil


The Last Supper
Painting ID::  56840 		The Last Supper
mk250 Year in 1594. Oil on canvas, 365.8 x 569 cm. Venice, Italy, Maggiore Church of St. George's main altar.
   
   
     
Tintoretto Madonna with Child and Donor, oil


Madonna with Child and Donor,
Painting ID::  61042 		Madonna with Child and Donor,
Madonna with Child and Donor, National Museum of Serbia, Belgrade
   
   
     
Tintoretto Finding of the body of St Mark oil


Finding of the body of St Mark
Painting ID::  61044 		Finding of the body of St Mark
Finding of the body of St Mark (1548).
Finding_of_the_body_of_St_Mark_(1548).
   
   
     
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     Tintoretto
     Italian Mannerist Painter, ca.1518-1594 His father was a silk dyer (tintore); hence the nickname Tintoretto ("Little Dyer"). His early influences include Michelangelo and Titian. In Christ and the Adulteress (c. 1545) figures are set in vast spaces in fanciful perspectives, in distinctly Mannerist style. In 1548 he became the centre of attention of artists and literary men in Venice with his St. Mark Freeing the Slave, so rich in structural elements of post-Michelangelo Roman art that it is surprising to learn that he had never visited Rome. By 1555 he was a famous and sought-after painter, with a style marked by quickness of execution, great vivacity of colour, a predilection for variegated perspective, and a dynamic conception of space. In his most important undertaking, the decoration of Venice's Scuola Grande di San Rocco (1564 C 88), he exhibited his passionate style and profound religious faith. His technique and vision were wholly personal and constantly evolving.

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