Tintoretto

Italian Mannerist Painter, ca.1518-1594 His father was a silk dyer (tintore); hence the nickname Tintoretto ("Little Dyer"). His early influences include Michelangelo and Titian. In Christ and the Adulteress (c. 1545) figures are set in vast spaces in fanciful perspectives, in distinctly Mannerist style. In 1548 he became the centre of attention of artists and literary men in Venice with his St. Mark Freeing the Slave, so rich in structural elements of post-Michelangelo Roman art that it is surprising to learn that he had never visited Rome. By 1555 he was a famous and sought-after painter, with a style marked by quickness of execution, great vivacity of colour, a predilection for variegated perspective, and a dynamic conception of space. In his most important undertaking, the decoration of Venice's Scuola Grande di San Rocco (1564 C 88), he exhibited his passionate style and profound religious faith. His technique and vision were wholly personal and constantly evolving.
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Tintoretto St Mark Body Brought to Venice oil


St Mark Body Brought to Venice
Painting ID::  61045 		St Mark Body Brought to Venice
St Mark's Body Brought to Venice (1548)
St_Mark's_Body_Brought_to_Venice_(1548)
   
   
     
Tintoretto The Deliverance of Arsenoe oil


The Deliverance of Arsenoe
Painting ID::  61046 		The Deliverance of Arsenoe
The Deliverance of Arsenoe (c. 1560).
The_Deliverance_of_Arsenoe_(c._1560).
   
   
     
Tintoretto Miracle of the Slave oil


Miracle of the Slave
Painting ID::  61047 		Miracle of the Slave
Miracle of the Slave (1548).
Miracle_of_the_Slave_(1548).
   
   
     
Tintoretto The Last Supper oil


The Last Supper
Painting ID::  61048 		The Last Supper
The Last Supper (1594).
The_Last_Supper_(1594).
   
   
     
Tintoretto Christ at the Sea of Galilee oil


Christ at the Sea of Galilee
Painting ID::  64487 		Christ at the Sea of Galilee
1575/80 Oil on canvas, 117 x 168.5 cm National Gallery of Art, Washington *** Keywords: ************* Author: TINTORETTO Title: Christ at the Sea of Galilee, 1551-1600, Italian , painting , religious
   
   
     
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     Tintoretto
     Italian Mannerist Painter, ca.1518-1594 His father was a silk dyer (tintore); hence the nickname Tintoretto ("Little Dyer"). His early influences include Michelangelo and Titian. In Christ and the Adulteress (c. 1545) figures are set in vast spaces in fanciful perspectives, in distinctly Mannerist style. In 1548 he became the centre of attention of artists and literary men in Venice with his St. Mark Freeing the Slave, so rich in structural elements of post-Michelangelo Roman art that it is surprising to learn that he had never visited Rome. By 1555 he was a famous and sought-after painter, with a style marked by quickness of execution, great vivacity of colour, a predilection for variegated perspective, and a dynamic conception of space. In his most important undertaking, the decoration of Venice's Scuola Grande di San Rocco (1564 C 88), he exhibited his passionate style and profound religious faith. His technique and vision were wholly personal and constantly evolving.

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