Tintoretto

Italian Mannerist Painter, ca.1518-1594 His father was a silk dyer (tintore); hence the nickname Tintoretto ("Little Dyer"). His early influences include Michelangelo and Titian. In Christ and the Adulteress (c. 1545) figures are set in vast spaces in fanciful perspectives, in distinctly Mannerist style. In 1548 he became the centre of attention of artists and literary men in Venice with his St. Mark Freeing the Slave, so rich in structural elements of post-Michelangelo Roman art that it is surprising to learn that he had never visited Rome. By 1555 he was a famous and sought-after painter, with a style marked by quickness of execution, great vivacity of colour, a predilection for variegated perspective, and a dynamic conception of space. In his most important undertaking, the decoration of Venice's Scuola Grande di San Rocco (1564 C 88), he exhibited his passionate style and profound religious faith. His technique and vision were wholly personal and constantly evolving.
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Tintoretto The Ascent to Calvary oil


The Ascent to Calvary
Painting ID::  32658 		The Ascent to Calvary
1566-67 Oil on canvas, 515 x 390 cm
1566-67 Oil_on_canvas,_515_x_390_cm
   
   
     
Tintoretto Crowning with Thorns oil


Crowning with Thorns
Painting ID::  32659 		Crowning with Thorns
1566-67 Oil on canvas, 285 x 400 cm
1566-67 Oil_on_canvas,_285_x_400_cm
   
   
     
Tintoretto Christ before Pilate oil


Christ before Pilate
Painting ID::  32660 		Christ before Pilate
1566-67 Oil on canvas, 515 x 380 cm
1566-67 Oil_on_canvas,_515_x_380_cm
   
   
     
Tintoretto The Prayer in the Garden oil


The Prayer in the Garden
Painting ID::  32661 		The Prayer in the Garden
1578-81 Oil on canvas, 538 x 455 cm
1578-81 Oil_on_canvas,_538_x_455_cm
   
   
     
Tintoretto Battle between Turks and Christians oil


Battle between Turks and Christians
Painting ID::  32662 		Battle between Turks and Christians
1588-89 Oil on canvas, 189 x 307 cm
1588-89 Oil_on_canvas,_189_x_307_cm
   
   
     
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     Tintoretto
     Italian Mannerist Painter, ca.1518-1594 His father was a silk dyer (tintore); hence the nickname Tintoretto ("Little Dyer"). His early influences include Michelangelo and Titian. In Christ and the Adulteress (c. 1545) figures are set in vast spaces in fanciful perspectives, in distinctly Mannerist style. In 1548 he became the centre of attention of artists and literary men in Venice with his St. Mark Freeing the Slave, so rich in structural elements of post-Michelangelo Roman art that it is surprising to learn that he had never visited Rome. By 1555 he was a famous and sought-after painter, with a style marked by quickness of execution, great vivacity of colour, a predilection for variegated perspective, and a dynamic conception of space. In his most important undertaking, the decoration of Venice's Scuola Grande di San Rocco (1564 C 88), he exhibited his passionate style and profound religious faith. His technique and vision were wholly personal and constantly evolving.

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