Tintoretto

Italian Mannerist Painter, ca.1518-1594 His father was a silk dyer (tintore); hence the nickname Tintoretto ("Little Dyer"). His early influences include Michelangelo and Titian. In Christ and the Adulteress (c. 1545) figures are set in vast spaces in fanciful perspectives, in distinctly Mannerist style. In 1548 he became the centre of attention of artists and literary men in Venice with his St. Mark Freeing the Slave, so rich in structural elements of post-Michelangelo Roman art that it is surprising to learn that he had never visited Rome. By 1555 he was a famous and sought-after painter, with a style marked by quickness of execution, great vivacity of colour, a predilection for variegated perspective, and a dynamic conception of space. In his most important undertaking, the decoration of Venice's Scuola Grande di San Rocco (1564 C 88), he exhibited his passionate style and profound religious faith. His technique and vision were wholly personal and constantly evolving.
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Tintoretto Portrait of Doge Pietro Loredano oil


Portrait of Doge Pietro Loredano
Painting ID::  32702 		Portrait of Doge Pietro Loredano
c. 1570 Oil on canvas, 127 x 100 cm
c._1570 Oil_on_canvas,_ 127_x_100_cm
   
   
     
Tintoretto Man in Armour oil


Man in Armour
Painting ID::  32703 		Man in Armour
c. 1550 Oil on canvas, 116 x 98 cm
c._1550 Oil_on_canvas,_ 116_x_98_cm
   
   
     
Tintoretto Man with a Golden Lace oil


Man with a Golden Lace
Painting ID::  32704 		Man with a Golden Lace
1550-60 Oil on canvas, 103 x 76 cm
1550-60 Oil_on_canvas,_ 103_x_76_cm
   
   
     
Tintoretto Portrait of Vincenzo Morosini oil


Portrait of Vincenzo Morosini
Painting ID::  32705 		Portrait of Vincenzo Morosini
c. 1580 Oil on canvas, 84,5 x 51,5 cm
c._1580 Oil_on_canvas,_ 84,5_x_51,5_cm
   
   
     
Tintoretto Portrait of a Woman Revealing her Breasts oil


Portrait of a Woman Revealing her Breasts
Painting ID::  32706 		Portrait of a Woman Revealing her Breasts
c. 1570 Oil on canvas, 61 x 55 cm
c._1570 Oil_on_canvas,_ 61_x_55_cm
   
   
     
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     Tintoretto
     Italian Mannerist Painter, ca.1518-1594 His father was a silk dyer (tintore); hence the nickname Tintoretto ("Little Dyer"). His early influences include Michelangelo and Titian. In Christ and the Adulteress (c. 1545) figures are set in vast spaces in fanciful perspectives, in distinctly Mannerist style. In 1548 he became the centre of attention of artists and literary men in Venice with his St. Mark Freeing the Slave, so rich in structural elements of post-Michelangelo Roman art that it is surprising to learn that he had never visited Rome. By 1555 he was a famous and sought-after painter, with a style marked by quickness of execution, great vivacity of colour, a predilection for variegated perspective, and a dynamic conception of space. In his most important undertaking, the decoration of Venice's Scuola Grande di San Rocco (1564 C 88), he exhibited his passionate style and profound religious faith. His technique and vision were wholly personal and constantly evolving.

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