UCCELLO, Paolo

Italian Early Renaissance Painter, 1397-1475 Italian painter, draughtsman, mosaicist and designer of stained glass. His work vividly illustrates the principal issues of Florentine art during the first half of the 15th century. Trained within the tradition of the Late Gothic style, he eventually became a leading exponent of the application of linear perspective based on the mathematical system established by Filippo Brunelleschi and Leon Battista Alberti. It is the merging of these two diametrically opposed tendencies that forms the basis of Uccello's style. As well as painting on panel and in fresco


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UCCELLO, Paolo Flood and Waters Subsiding oil


Flood and Waters Subsiding
Painting ID::  43624
Flood and Waters Subsiding
1447-48
1447-48
   
   
     

UCCELLO, Paolo Noah- Sacrifice and Noah- Drunkenness oil


Noah- Sacrifice and Noah- Drunkenness
Painting ID::  43625
Noah- Sacrifice and Noah- Drunkenness
1447-48 Fresco, 277 x 540cm
1447-48_ Fresco, _277_x_540cm
   
   
     

UCCELLO, Paolo Five Famous Men oil


Five Famous Men
Painting ID::  44317
Five Famous Men
c. 1450 Tempera on wood, 43 x 210 cm
c._1450_ Tempera_on_wood,_ 43_x_210_cm
   
   
     

UCCELLO, Paolo The Battle of San Romano oil


The Battle of San Romano
Painting ID::  44855
The Battle of San Romano
mk176 c.1445 6x10.6in
mk176 c.1445 6x10.6in
   
   
     

UCCELLO, Paolo Opera and Trunkembeit Noachs oil


Opera and Trunkembeit Noachs
Painting ID::  45654
Opera and Trunkembeit Noachs
mk186 around 1446 Florence church Santa Maria Novella. Chiostro Verde
   
   
     

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     UCCELLO, Paolo
     Italian Early Renaissance Painter, 1397-1475 Italian painter, draughtsman, mosaicist and designer of stained glass. His work vividly illustrates the principal issues of Florentine art during the first half of the 15th century. Trained within the tradition of the Late Gothic style, he eventually became a leading exponent of the application of linear perspective based on the mathematical system established by Filippo Brunelleschi and Leon Battista Alberti. It is the merging of these two diametrically opposed tendencies that forms the basis of Uccello's style. As well as painting on panel and in fresco

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