UCCELLO, Paolo

Italian Early Renaissance Painter, 1397-1475 Italian painter, draughtsman, mosaicist and designer of stained glass. His work vividly illustrates the principal issues of Florentine art during the first half of the 15th century. Trained within the tradition of the Late Gothic style, he eventually became a leading exponent of the application of linear perspective based on the mathematical system established by Filippo Brunelleschi and Leon Battista Alberti. It is the merging of these two diametrically opposed tendencies that forms the basis of Uccello's style. As well as painting on panel and in fresco


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UCCELLO, Paolo Miracle of the Desecrated Host (Scene 3) wt oil


Miracle of the Desecrated Host (Scene 3) wt
Painting ID::  9392
Miracle of the Desecrated Host (Scene 3) wt
1465-69 Panel, 43 x 58 cm Galleria Nazionale delle Marche, Urbino
   
   
     

UCCELLO, Paolo Miracle of the Desecrated Host (Scene 4) aet oil


Miracle of the Desecrated Host (Scene 4) aet
Painting ID::  9393
Miracle of the Desecrated Host (Scene 4) aet
1465-69 Panel, 43 x 58 cm Galleria Nazionale delle Marche, Urbino
   
   
     

UCCELLO, Paolo Miracle of the Desecrated Host (Scene 6) wt oil


Miracle of the Desecrated Host (Scene 6) wt
Painting ID::  9394
Miracle of the Desecrated Host (Scene 6) wt
1465-69 Panel, 43 x 58 cm Galleria Nazionale delle Marche, Urbino
   
   
     

UCCELLO, Paolo An Angel (detail) ewt oil


An Angel (detail) ewt
Painting ID::  9395
An Angel (detail) ewt
c. 1435 Fresco San Miniato al Monte, Florence
c._1435 Fresco San_Miniato_al_Monte,_Florence
   
   
     

UCCELLO, Paolo Sts John on Patmos (Quarate predella) set oil


Sts John on Patmos (Quarate predella) set
Painting ID::  9396
Sts John on Patmos (Quarate predella) set
1435-40 Panel, 20,5 x 41 cm Museo Arcivescovile, Florence
1435-40 Panel,_20,5_x_41_cm Museo_Arcivescovile,_Florence
   
   
     

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     UCCELLO, Paolo
     Italian Early Renaissance Painter, 1397-1475 Italian painter, draughtsman, mosaicist and designer of stained glass. His work vividly illustrates the principal issues of Florentine art during the first half of the 15th century. Trained within the tradition of the Late Gothic style, he eventually became a leading exponent of the application of linear perspective based on the mathematical system established by Filippo Brunelleschi and Leon Battista Alberti. It is the merging of these two diametrically opposed tendencies that forms the basis of Uccello's style. As well as painting on panel and in fresco

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