UCCELLO, Paolo

Italian Early Renaissance Painter, 1397-1475 Italian painter, draughtsman, mosaicist and designer of stained glass. His work vividly illustrates the principal issues of Florentine art during the first half of the 15th century. Trained within the tradition of the Late Gothic style, he eventually became a leading exponent of the application of linear perspective based on the mathematical system established by Filippo Brunelleschi and Leon Battista Alberti. It is the merging of these two diametrically opposed tendencies that forms the basis of Uccello's style. As well as painting on panel and in fresco
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UCCELLO, Paolo Adoration of the Magi (Quarate predella) tw oil


Adoration of the Magi (Quarate predella) tw
Painting ID::  9397 		Adoration of the Magi (Quarate predella) tw
1435-40 Panel, 20,5 x 82 cm Museo Arcivescovile, Florence
1435-40 Panel,_20,5_x_82_cm Museo_Arcivescovile,_Florence
   
   
     
UCCELLO, Paolo Adoration of the Magi (Quarate predella, detail) qt oil


Adoration of the Magi (Quarate predella, detail) qt
Painting ID::  9398 		Adoration of the Magi (Quarate predella, detail) qt
1435-40 Panel Museo Arcivescovile, Florence
1435-40 Panel Museo_Arcivescovile,_Florence
   
   
     
UCCELLO, Paolo Sts John and Ansano (Quarate predella) wt oil


Sts John and Ansano (Quarate predella) wt
Painting ID::  9399 		Sts John and Ansano (Quarate predella) wt
1435-40 Panel, 20,5 x 41 cm Museo Arcivescovile, Florence
1435-40 Panel,_20,5_x_41_cm Museo_Arcivescovile,_Florence
   
   
     
UCCELLO, Paolo Crucifixion wt oil


Crucifixion wt
Painting ID::  9400 		Crucifixion wt
1435-40 Panel, 46 x 67 cm Thyssen-Bornemisza Collection, Madrid
   
   
     
UCCELLO, Paolo Portrait of a Young Man wt oil


Portrait of a Young Man wt
Painting ID::  9401 		Portrait of a Young Man wt
1450s Oil on canvas, 47 x 36 cm Mus??e des Beaux-Arts, Chamb??ry
   
   
     
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     UCCELLO, Paolo
     Italian Early Renaissance Painter, 1397-1475 Italian painter, draughtsman, mosaicist and designer of stained glass. His work vividly illustrates the principal issues of Florentine art during the first half of the 15th century. Trained within the tradition of the Late Gothic style, he eventually became a leading exponent of the application of linear perspective based on the mathematical system established by Filippo Brunelleschi and Leon Battista Alberti. It is the merging of these two diametrically opposed tendencies that forms the basis of Uccello's style. As well as painting on panel and in fresco

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