UCCELLO, Paolo

Italian Early Renaissance Painter, 1397-1475 Italian painter, draughtsman, mosaicist and designer of stained glass. His work vividly illustrates the principal issues of Florentine art during the first half of the 15th century. Trained within the tradition of the Late Gothic style, he eventually became a leading exponent of the application of linear perspective based on the mathematical system established by Filippo Brunelleschi and Leon Battista Alberti. It is the merging of these two diametrically opposed tendencies that forms the basis of Uccello's style. As well as painting on panel and in fresco


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UCCELLO, Paolo Stoning of St Stephen oil


Stoning of St Stephen
Painting ID::  32715
Stoning of St Stephen
c. 1435 Fresco 310 x 420 cm
c._1435 Fresco 310_x_420_cm
   
   
     

UCCELLO, Paolo Mary's Presentation in the Temple oil


Mary's Presentation in the Temple
Painting ID::  32716
Mary's Presentation in the Temple
c. 1435 Fresco, 335 x 420 cm
c._1435 Fresco,_ 335_x_420_cm
   
   
     

UCCELLO, Paolo Roundel with Head oil


Roundel with Head
Painting ID::  32717
Roundel with Head
c. 1435 Fresco
c._1435 Fresco
   
   
     

UCCELLO, Paolo Creation of the Animals and Creation of Adam oil


Creation of the Animals and Creation of Adam
Painting ID::  32718
Creation of the Animals and Creation of Adam
1432-36 Fresco, 244 x 478 cm
1432-36 Fresco,_ 244_x_478_cm
   
   
     

UCCELLO, Paolo Birth of the Virgin oil


Birth of the Virgin
Painting ID::  33236
Birth of the Virgin
mk83 c.1435
mk83 c.1435
   
   
     

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     UCCELLO, Paolo
     Italian Early Renaissance Painter, 1397-1475 Italian painter, draughtsman, mosaicist and designer of stained glass. His work vividly illustrates the principal issues of Florentine art during the first half of the 15th century. Trained within the tradition of the Late Gothic style, he eventually became a leading exponent of the application of linear perspective based on the mathematical system established by Filippo Brunelleschi and Leon Battista Alberti. It is the merging of these two diametrically opposed tendencies that forms the basis of Uccello's style. As well as painting on panel and in fresco

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