VELAZQUEZ, Diego Rodriguez de Silva y

Spanish Baroque Era Painter, 1599-1660 Spanish painter. He was one of the most important European artists of the 17th century, spending his career from 1623 in the service of Philip IV of Spain. His early canvases comprised bodegones and religious paintings, but as a court artist he was largely occupied in executing portraits, while also producing some historical, mythological and further religious works. His painting was deeply affected by the work of Rubens and by Venetian artists, especially Titian, as well as by the experience of two trips (1629-31 and 1649-51) to Italy. Under these joint influences he developed a uniquely personal style characterized by very loose, expressive brushwork.


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VELAZQUEZ, Diego Rodriguez de Silva y Two boy beside the table oil


Two boy beside the table
Painting ID::  54683
Two boy beside the table
mk237 1622 Oil on canvas
mk237 1622 Oil_on_canvas
   
   
     

VELAZQUEZ, Diego Rodriguez de Silva y Unknown man oil


Unknown man
Painting ID::  54684
Unknown man
mk237 1622 Oil on canvas 50.3x40.5cm
mk237 1622 Oil_on_canvas 50.3x40.5cm
   
   
     

VELAZQUEZ, Diego Rodriguez de Silva y Priest oil


Priest
Painting ID::  54685
Priest
mk237 Oil on canvas 1622-23 66.5x51cm
mk237 Oil__on_canvas 1622-23 66.5x51cm
   
   
     

VELAZQUEZ, Diego Rodriguez de Silva y Filipu oil


Filipu
Painting ID::  54686
Filipu
mk237 1623-1624 Oil on canvas 61.6x48.2cm
mk237 1623-1624 Oil_on_canvas 61.6x48.2cm
   
   
     

VELAZQUEZ, Diego Rodriguez de Silva y Portrait of Young man oil


Portrait of Young man
Painting ID::  54687
Portrait of Young man
mk237 1623 Oil on canvas 56x39cm
mk237 1623 Oil_on_canvas 56x39cm
   
   
     

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     VELAZQUEZ, Diego Rodriguez de Silva y
     Spanish Baroque Era Painter, 1599-1660 Spanish painter. He was one of the most important European artists of the 17th century, spending his career from 1623 in the service of Philip IV of Spain. His early canvases comprised bodegones and religious paintings, but as a court artist he was largely occupied in executing portraits, while also producing some historical, mythological and further religious works. His painting was deeply affected by the work of Rubens and by Venetian artists, especially Titian, as well as by the experience of two trips (1629-31 and 1649-51) to Italy. Under these joint influences he developed a uniquely personal style characterized by very loose, expressive brushwork.

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