VELAZQUEZ, Diego Rodriguez de Silva y

Spanish Baroque Era Painter, 1599-1660 Spanish painter. He was one of the most important European artists of the 17th century, spending his career from 1623 in the service of Philip IV of Spain. His early canvases comprised bodegones and religious paintings, but as a court artist he was largely occupied in executing portraits, while also producing some historical, mythological and further religious works. His painting was deeply affected by the work of Rubens and by Venetian artists, especially Titian, as well as by the experience of two trips (1629-31 and 1649-51) to Italy. Under these joint influences he developed a uniquely personal style characterized by very loose, expressive brushwork.


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VELAZQUEZ, Diego Rodriguez de Silva y Villa oil


Villa
Painting ID::  54698
Villa
mk237 1630 Oil on canvas 48.5x43cm
mk237 1630 Oil_on_canvas 48.5x43cm
   
   
     

VELAZQUEZ, Diego Rodriguez de Silva y Puzzle oil


Puzzle
Painting ID::  54699
Puzzle
mk237 1631-1632 oil on canvas 244x203cm
mk237 1631-1632 oil_on_canvas 244x203cm
   
   
     

VELAZQUEZ, Diego Rodriguez de Silva y The Mary Princess oil


The Mary Princess
Painting ID::  54700
The Mary Princess
mk237 1630 oil on canvas 59.5x45.5cm
mk237 1630 oil_on_canvas 59.5x45.5cm
   
   
     

VELAZQUEZ, Diego Rodriguez de Silva y Filipu oil


Filipu
Painting ID::  54701
Filipu
mk237 1631-1632 Oil on canvas 199.5x113cm
mk237 1631-1632 Oil_on_canvas 199.5x113cm
   
   
     

VELAZQUEZ, Diego Rodriguez de Silva y Princess and her son oil


Princess and her son
Painting ID::  54702
Princess and her son
mk237 1631-1632 Oil on canvas 205x115cm
mk237 1631-1632 Oil_on_canvas 205x115cm
   
   
     

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     VELAZQUEZ, Diego Rodriguez de Silva y
     Spanish Baroque Era Painter, 1599-1660 Spanish painter. He was one of the most important European artists of the 17th century, spending his career from 1623 in the service of Philip IV of Spain. His early canvases comprised bodegones and religious paintings, but as a court artist he was largely occupied in executing portraits, while also producing some historical, mythological and further religious works. His painting was deeply affected by the work of Rubens and by Venetian artists, especially Titian, as well as by the experience of two trips (1629-31 and 1649-51) to Italy. Under these joint influences he developed a uniquely personal style characterized by very loose, expressive brushwork.

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