VELAZQUEZ, Diego Rodriguez de Silva y

Spanish Baroque Era Painter, 1599-1660 Spanish painter. He was one of the most important European artists of the 17th century, spending his career from 1623 in the service of Philip IV of Spain. His early canvases comprised bodegones and religious paintings, but as a court artist he was largely occupied in executing portraits, while also producing some historical, mythological and further religious works. His painting was deeply affected by the work of Rubens and by Venetian artists, especially Titian, as well as by the experience of two trips (1629-31 and 1649-51) to Italy. Under these joint influences he developed a uniquely personal style characterized by very loose, expressive brushwork.


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VELAZQUEZ, Diego Rodriguez de Silva y Ilisabai oil


Ilisabai
Painting ID::  54703
Ilisabai
mk237 1631-1632 Oil on canvas 207x119cm
mk237 1631-1632 Oil_on_canvas 207x119cm
   
   
     

VELAZQUEZ, Diego Rodriguez de Silva y Detail of  Ilisabai oil


Detail of Ilisabai
Painting ID::  54704
Detail of Ilisabai
mk237 Oil on canvas 1631-1632 207x119cm
mk237 Oil_on_canvas 1631-1632 207x119cm
   
   
     

VELAZQUEZ, Diego Rodriguez de Silva y A Young man oil


A Young man
Painting ID::  54705
A Young man
mk237 1631-1632 Oil on canvas
mk237 1631-1632 Oil_on_canvas
   
   
     

VELAZQUEZ, Diego Rodriguez de Silva y A Young man oil


A Young man
Painting ID::  54706
A Young man
mk237 1631-1632 Oil on canvas 205x116cm
mk237 1631-1632 Oil_on_canvas 205x116cm
   
   
     

VELAZQUEZ, Diego Rodriguez de Silva y Tang Huang oil


Tang Huang
Painting ID::  54707
Tang Huang
mk237 1632 Oil on canvas 108.5x90cm
mk237 1632 Oil_on_canvas 108.5x90cm
   
   
     

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     VELAZQUEZ, Diego Rodriguez de Silva y
     Spanish Baroque Era Painter, 1599-1660 Spanish painter. He was one of the most important European artists of the 17th century, spending his career from 1623 in the service of Philip IV of Spain. His early canvases comprised bodegones and religious paintings, but as a court artist he was largely occupied in executing portraits, while also producing some historical, mythological and further religious works. His painting was deeply affected by the work of Rubens and by Venetian artists, especially Titian, as well as by the experience of two trips (1629-31 and 1649-51) to Italy. Under these joint influences he developed a uniquely personal style characterized by very loose, expressive brushwork.

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