VELAZQUEZ, Diego Rodriguez de Silva y

Spanish Baroque Era Painter, 1599-1660 Spanish painter. He was one of the most important European artists of the 17th century, spending his career from 1623 in the service of Philip IV of Spain. His early canvases comprised bodegones and religious paintings, but as a court artist he was largely occupied in executing portraits, while also producing some historical, mythological and further religious works. His painting was deeply affected by the work of Rubens and by Venetian artists, especially Titian, as well as by the experience of two trips (1629-31 and 1649-51) to Italy. Under these joint influences he developed a uniquely personal style characterized by very loose, expressive brushwork.


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VELAZQUEZ, Diego Rodriguez de Silva y Predector oil


Predector
Painting ID::  54708
Predector
mk237 1632 oil on canvas 62x50cm
mk237 1632 oil_on_canvas 62x50cm
   
   
     

VELAZQUEZ, Diego Rodriguez de Silva y Filipu oil


Filipu
Painting ID::  54709
Filipu
mk237 1632 Oil on canvas 127.5x86.5cm
mk237 1632 Oil_on_canvas 127.5x86.5cm
   
   
     

VELAZQUEZ, Diego Rodriguez de Silva y Prince oil


Prince
Painting ID::  54710
Prince
mk237 1632 Oil on canvsa 117.8x95.9cm
mk237 1632 Oil_on_canvsa 117.8x95.9cm
   
   
     

VELAZQUEZ, Diego Rodriguez de Silva y Filipu oil


Filipu
Painting ID::  54711
Filipu
mk237 1632-1633 Oil on canvasd 189x124.5cm
mk237 1632-1633 Oil_on_canvasd 189x124.5cm
   
   
     

VELAZQUEZ, Diego Rodriguez de Silva y Detail of Filipu oil


Detail of Filipu
Painting ID::  54712
Detail of Filipu
mk237
mk237
   
   
     

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     VELAZQUEZ, Diego Rodriguez de Silva y
     Spanish Baroque Era Painter, 1599-1660 Spanish painter. He was one of the most important European artists of the 17th century, spending his career from 1623 in the service of Philip IV of Spain. His early canvases comprised bodegones and religious paintings, but as a court artist he was largely occupied in executing portraits, while also producing some historical, mythological and further religious works. His painting was deeply affected by the work of Rubens and by Venetian artists, especially Titian, as well as by the experience of two trips (1629-31 and 1649-51) to Italy. Under these joint influences he developed a uniquely personal style characterized by very loose, expressive brushwork.

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