VELAZQUEZ, Diego Rodriguez de Silva y

Spanish Baroque Era Painter, 1599-1660 Spanish painter. He was one of the most important European artists of the 17th century, spending his career from 1623 in the service of Philip IV of Spain. His early canvases comprised bodegones and religious paintings, but as a court artist he was largely occupied in executing portraits, while also producing some historical, mythological and further religious works. His painting was deeply affected by the work of Rubens and by Venetian artists, especially Titian, as well as by the experience of two trips (1629-31 and 1649-51) to Italy. Under these joint influences he developed a uniquely personal style characterized by very loose, expressive brushwork.


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VELAZQUEZ, Diego Rodriguez de Silva y The Woman Fry eggs oil


The Woman Fry eggs
Painting ID::  54713
The Woman Fry eggs
mk237 1618 Oil on canvas 99x128cm
mk237 1618 Oil_on_canvas 99x128cm
   
   
     

VELAZQUEZ, Diego Rodriguez de Silva y Three musician oil


Three musician
Painting ID::  54714
Three musician
mk237 1617 Oil on canvas 87x110cm
mk237 1617 Oil_on_canvas 87x110cm
   
   
     

VELAZQUEZ, Diego Rodriguez de Silva y Jesus in the Mary-s home oil


Jesus in the Mary-s home
Painting ID::  54715
Jesus in the Mary-s home
mk237 1619-1620 Oil on canvas 60x103.5cm
mk237 1619-1620 Oil_on_canvas 60x103.5cm
   
   
     

VELAZQUEZ, Diego Rodriguez de Silva y Detail of Jesus in the Mary-s home oil


Detail of Jesus in the Mary-s home
Painting ID::  54716
Detail of Jesus in the Mary-s home
mk237
mk237
   
   
     

VELAZQUEZ, Diego Rodriguez de Silva y Ilisabai oil


Ilisabai
Painting ID::  54717
Ilisabai
mk237 1632 Oil on canvas 132x101.c5m
mk237 1632 Oil_on_canvas 132x101.c5m
   
   
     

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     VELAZQUEZ, Diego Rodriguez de Silva y
     Spanish Baroque Era Painter, 1599-1660 Spanish painter. He was one of the most important European artists of the 17th century, spending his career from 1623 in the service of Philip IV of Spain. His early canvases comprised bodegones and religious paintings, but as a court artist he was largely occupied in executing portraits, while also producing some historical, mythological and further religious works. His painting was deeply affected by the work of Rubens and by Venetian artists, especially Titian, as well as by the experience of two trips (1629-31 and 1649-51) to Italy. Under these joint influences he developed a uniquely personal style characterized by very loose, expressive brushwork.

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