VELAZQUEZ, Diego Rodriguez de Silva y

Spanish Baroque Era Painter, 1599-1660 Spanish painter. He was one of the most important European artists of the 17th century, spending his career from 1623 in the service of Philip IV of Spain. His early canvases comprised bodegones and religious paintings, but as a court artist he was largely occupied in executing portraits, while also producing some historical, mythological and further religious works. His painting was deeply affected by the work of Rubens and by Venetian artists, especially Titian, as well as by the experience of two trips (1629-31 and 1649-51) to Italy. Under these joint influences he developed a uniquely personal style characterized by very loose, expressive brushwork.


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VELAZQUEZ, Diego Rodriguez de Silva y Ilisabai oil


Ilisabai
Painting ID::  54718
Ilisabai
mk237 1628-1635 Oil on canvas 301x314cm
mk237 1628-1635 Oil_on_canvas 301x314cm
   
   
     

VELAZQUEZ, Diego Rodriguez de Silva y Dean oil


Dean
Painting ID::  54719
Dean
mk237 1633 Oil on canvas 1633 257x188cm
mk237 1633 Oil_on_canvas 1633 257x188cm
   
   
     

VELAZQUEZ, Diego Rodriguez de Silva y Dean oil


Dean
Painting ID::  54720
Dean
mk237 Oil on canvas
mk237 Oil_on_canvas
   
   
     

VELAZQUEZ, Diego Rodriguez de Silva y Dean oil


Dean
Painting ID::  54721
Dean
mk237 1633 Oil on canvas 257x188cm
mk237 1633 Oil_on_canvas 257x188cm
   
   
     

VELAZQUEZ, Diego Rodriguez de Silva y Clown oil


Clown
Painting ID::  54722
Clown
mk237 1634 oil on canvas 198x121cm
mk237 1634 oil_on_canvas 198x121cm
   
   
     

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     VELAZQUEZ, Diego Rodriguez de Silva y
     Spanish Baroque Era Painter, 1599-1660 Spanish painter. He was one of the most important European artists of the 17th century, spending his career from 1623 in the service of Philip IV of Spain. His early canvases comprised bodegones and religious paintings, but as a court artist he was largely occupied in executing portraits, while also producing some historical, mythological and further religious works. His painting was deeply affected by the work of Rubens and by Venetian artists, especially Titian, as well as by the experience of two trips (1629-31 and 1649-51) to Italy. Under these joint influences he developed a uniquely personal style characterized by very loose, expressive brushwork.

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