VELAZQUEZ, Diego Rodriguez de Silva y

Spanish Baroque Era Painter, 1599-1660 Spanish painter. He was one of the most important European artists of the 17th century, spending his career from 1623 in the service of Philip IV of Spain. His early canvases comprised bodegones and religious paintings, but as a court artist he was largely occupied in executing portraits, while also producing some historical, mythological and further religious works. His painting was deeply affected by the work of Rubens and by Venetian artists, especially Titian, as well as by the experience of two trips (1629-31 and 1649-51) to Italy. Under these joint influences he developed a uniquely personal style characterized by very loose, expressive brushwork.


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VELAZQUEZ, Diego Rodriguez de Silva y Oriental three doctor oil


Oriental three doctor
Painting ID::  54728
Oriental three doctor
mk237 1619 Oil on canvas
mk237 1619 Oil_on_canvas
   
   
     

VELAZQUEZ, Diego Rodriguez de Silva y White horse oil


White horse
Painting ID::  54729
White horse
mk237 1634-1635 Oil on canvas 310x245cm
mk237 1634-1635 Oil_on_canvas 310x245cm
   
   
     

VELAZQUEZ, Diego Rodriguez de Silva y Filipu oil


Filipu
Painting ID::  54730
Filipu
mk237 1634-1635 Oil on canvas 305x320cm
mk237 1634-1635 Oil_on_canvas 305x320cm
   
   
     

VELAZQUEZ, Diego Rodriguez de Silva y Young woman oil


Young woman
Painting ID::  54731
Young woman
mk237 1635 Oil on canvas 98x49cm
mk237 1635 Oil_on_canvas 98x49cm
   
   
     

VELAZQUEZ, Diego Rodriguez de Silva y Portrait of ride horse oil


Portrait of ride horse
Painting ID::  54732
Portrait of ride horse
mk237 1634-1635 Oil on canvas 302x311.5cm
mk237 1634-1635 Oil_on_canvas 302x311.5cm
   
   
     

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     VELAZQUEZ, Diego Rodriguez de Silva y
     Spanish Baroque Era Painter, 1599-1660 Spanish painter. He was one of the most important European artists of the 17th century, spending his career from 1623 in the service of Philip IV of Spain. His early canvases comprised bodegones and religious paintings, but as a court artist he was largely occupied in executing portraits, while also producing some historical, mythological and further religious works. His painting was deeply affected by the work of Rubens and by Venetian artists, especially Titian, as well as by the experience of two trips (1629-31 and 1649-51) to Italy. Under these joint influences he developed a uniquely personal style characterized by very loose, expressive brushwork.

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