VELAZQUEZ, Diego Rodriguez de Silva y

Spanish Baroque Era Painter, 1599-1660 Spanish painter. He was one of the most important European artists of the 17th century, spending his career from 1623 in the service of Philip IV of Spain. His early canvases comprised bodegones and religious paintings, but as a court artist he was largely occupied in executing portraits, while also producing some historical, mythological and further religious works. His painting was deeply affected by the work of Rubens and by Venetian artists, especially Titian, as well as by the experience of two trips (1629-31 and 1649-51) to Italy. Under these joint influences he developed a uniquely personal style characterized by very loose, expressive brushwork.


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VELAZQUEZ, Diego Rodriguez de Silva y The Woman holding the fan oil


The Woman holding the fan
Painting ID::  54733
The Woman holding the fan
mk237 1635 oil on canvas 95x70cm
mk237 1635 oil_on_canvas 95x70cm
   
   
     

VELAZQUEZ, Diego Rodriguez de Silva y Detail of The Woman holding the fan oil


Detail of The Woman holding the fan
Painting ID::  54734
Detail of The Woman holding the fan
mk237
mk237
   
   
     

VELAZQUEZ, Diego Rodriguez de Silva y Prince oil


Prince
Painting ID::  54735
Prince
mk237 1635-1636 Oil on canvas 191x103cm
mk237 1635-1636 Oil_on_canvas 191x103cm
   
   
     

VELAZQUEZ, Diego Rodriguez de Silva y Detail of Prince oil


Detail of Prince
Painting ID::  54736
Detail of Prince
mk237
mk237
   
   
     

VELAZQUEZ, Diego Rodriguez de Silva y Sculpture oil


Sculpture
Painting ID::  54737
Sculpture
mk237 1635-1636 Oil on canvas 109x87cm
mk237 1635-1636 Oil_on_canvas 109x87cm
   
   
     

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     VELAZQUEZ, Diego Rodriguez de Silva y
     Spanish Baroque Era Painter, 1599-1660 Spanish painter. He was one of the most important European artists of the 17th century, spending his career from 1623 in the service of Philip IV of Spain. His early canvases comprised bodegones and religious paintings, but as a court artist he was largely occupied in executing portraits, while also producing some historical, mythological and further religious works. His painting was deeply affected by the work of Rubens and by Venetian artists, especially Titian, as well as by the experience of two trips (1629-31 and 1649-51) to Italy. Under these joint influences he developed a uniquely personal style characterized by very loose, expressive brushwork.

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