VELAZQUEZ, Diego Rodriguez de Silva y

Spanish Baroque Era Painter, 1599-1660 Spanish painter. He was one of the most important European artists of the 17th century, spending his career from 1623 in the service of Philip IV of Spain. His early canvases comprised bodegones and religious paintings, but as a court artist he was largely occupied in executing portraits, while also producing some historical, mythological and further religious works. His painting was deeply affected by the work of Rubens and by Venetian artists, especially Titian, as well as by the experience of two trips (1629-31 and 1649-51) to Italy. Under these joint influences he developed a uniquely personal style characterized by very loose, expressive brushwork.


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VELAZQUEZ, Diego Rodriguez de Silva y Prince oil


Prince
Painting ID::  54738
Prince
mk237 1936 Oil on canvas 144x96.5cm
mk237 1936 Oil_on_canvas 144x96.5cm
   
   
     

VELAZQUEZ, Diego Rodriguez de Silva y Detail of  Prince oil


Detail of Prince
Painting ID::  54739
Detail of Prince
mk237 1636 Oil on canvas 144x96.5cm
mk237 1636 Oil_on_canvas 144x96.5cm
   
   
     

VELAZQUEZ, Diego Rodriguez de Silva y Bishop oil


Bishop
Painting ID::  54740
Bishop
mk237 1635-1638 Oil on canvas 55.8x40cm
mk237 1635-1638 Oil_on_canvas 55.8x40cm
   
   
     

VELAZQUEZ, Diego Rodriguez de Silva y Boar oil


Boar
Painting ID::  54741
Boar
mk237 1635-1637 Oil on canvas
mk237 1635-1637 Oil_on_canvas
   
   
     

VELAZQUEZ, Diego Rodriguez de Silva y Duke oil


Duke
Painting ID::  54742
Duke
mk237 1638 Oil on canvas 67x54.5cm
mk237 1638 Oil_on_canvas 67x54.5cm
   
   
     

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     VELAZQUEZ, Diego Rodriguez de Silva y
     Spanish Baroque Era Painter, 1599-1660 Spanish painter. He was one of the most important European artists of the 17th century, spending his career from 1623 in the service of Philip IV of Spain. His early canvases comprised bodegones and religious paintings, but as a court artist he was largely occupied in executing portraits, while also producing some historical, mythological and further religious works. His painting was deeply affected by the work of Rubens and by Venetian artists, especially Titian, as well as by the experience of two trips (1629-31 and 1649-51) to Italy. Under these joint influences he developed a uniquely personal style characterized by very loose, expressive brushwork.

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