VELAZQUEZ, Diego Rodriguez de Silva y

Spanish Baroque Era Painter, 1599-1660 Spanish painter. He was one of the most important European artists of the 17th century, spending his career from 1623 in the service of Philip IV of Spain. His early canvases comprised bodegones and religious paintings, but as a court artist he was largely occupied in executing portraits, while also producing some historical, mythological and further religious works. His painting was deeply affected by the work of Rubens and by Venetian artists, especially Titian, as well as by the experience of two trips (1629-31 and 1649-51) to Italy. Under these joint influences he developed a uniquely personal style characterized by very loose, expressive brushwork.


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VELAZQUEZ, Diego Rodriguez de Silva y Prince oil


Prince
Painting ID::  54748
Prince
mk237 1626-1627 Oil on canvas 210.5x126.5cm
mk237 1626-1627 Oil_on_canvas 210.5x126.5cm
   
   
     

VELAZQUEZ, Diego Rodriguez de Silva y Yiso oil


Yiso
Painting ID::  54749
Yiso
mk237 1636-1640 Oil on canvasv 179x94cm
mk237 1636-1640 Oil_on_canvasv 179x94cm
   
   
     

VELAZQUEZ, Diego Rodriguez de Silva y Meinibusi oil


Meinibusi
Painting ID::  54750
Meinibusi
mk237 1639-1640 Oil on canvas 178.5x93.5cm
mk237 1639-1640 Oil_on_canvas 178.5x93.5cm
   
   
     

VELAZQUEZ, Diego Rodriguez de Silva y A Girl oil


A Girl
Painting ID::  54751
A Girl
mk237 1635-1643 Oil on canvas 74x60cm
mk237 1635-1643 Oil_on_canvas 74x60cm
   
   
     

VELAZQUEZ, Diego Rodriguez de Silva y A Girl oil


A Girl
Painting ID::  54752
A Girl
mk237 1635-1643 Oil on canvas
mk237 1635-1643 Oil_on_canvas
   
   
     

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     VELAZQUEZ, Diego Rodriguez de Silva y
     Spanish Baroque Era Painter, 1599-1660 Spanish painter. He was one of the most important European artists of the 17th century, spending his career from 1623 in the service of Philip IV of Spain. His early canvases comprised bodegones and religious paintings, but as a court artist he was largely occupied in executing portraits, while also producing some historical, mythological and further religious works. His painting was deeply affected by the work of Rubens and by Venetian artists, especially Titian, as well as by the experience of two trips (1629-31 and 1649-51) to Italy. Under these joint influences he developed a uniquely personal style characterized by very loose, expressive brushwork.

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