VELAZQUEZ, Diego Rodriguez de Silva y

Spanish Baroque Era Painter, 1599-1660 Spanish painter. He was one of the most important European artists of the 17th century, spending his career from 1623 in the service of Philip IV of Spain. His early canvases comprised bodegones and religious paintings, but as a court artist he was largely occupied in executing portraits, while also producing some historical, mythological and further religious works. His painting was deeply affected by the work of Rubens and by Venetian artists, especially Titian, as well as by the experience of two trips (1629-31 and 1649-51) to Italy. Under these joint influences he developed a uniquely personal style characterized by very loose, expressive brushwork.


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VELAZQUEZ, Diego Rodriguez de Silva y Portrait of man oil


Portrait of man
Painting ID::  54753
Portrait of man
mk237 1635-1645 Oil on canvas 76x64.8cm
mk237 1635-1645 Oil_on_canvas 76x64.8cm
   
   
     

VELAZQUEZ, Diego Rodriguez de Silva y Bacchus oil


Bacchus
Painting ID::  54754
Bacchus
mk237 1628-1629 Oil on canvas 165x225cm
mk237 1628-1629 Oil_on_canvas 165x225cm
   
   
     

VELAZQUEZ, Diego Rodriguez de Silva y Virgin Mary wearing the coronet oil


Virgin Mary wearing the coronet
Painting ID::  54755
Virgin Mary wearing the coronet
mk237 1641-1642 Oil on canvas 176x124cm
mk237 1641-1642 Oil_on_canvas 176x124cm
   
   
     

VELAZQUEZ, Diego Rodriguez de Silva y Detail of  Virgin Mary wearing the coronet oil


Detail of Virgin Mary wearing the coronet
Painting ID::  54756
Detail of Virgin Mary wearing the coronet
mk237
mk237
   
   
     

VELAZQUEZ, Diego Rodriguez de Silva y Girl oil


Girl
Painting ID::  54757
Girl
mk237 1640 Oil on canvas 51.5x41cm
mk237 1640 Oil_on_canvas 51.5x41cm
   
   
     

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     VELAZQUEZ, Diego Rodriguez de Silva y
     Spanish Baroque Era Painter, 1599-1660 Spanish painter. He was one of the most important European artists of the 17th century, spending his career from 1623 in the service of Philip IV of Spain. His early canvases comprised bodegones and religious paintings, but as a court artist he was largely occupied in executing portraits, while also producing some historical, mythological and further religious works. His painting was deeply affected by the work of Rubens and by Venetian artists, especially Titian, as well as by the experience of two trips (1629-31 and 1649-51) to Italy. Under these joint influences he developed a uniquely personal style characterized by very loose, expressive brushwork.

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