VELAZQUEZ, Diego Rodriguez de Silva y

Spanish Baroque Era Painter, 1599-1660 Spanish painter. He was one of the most important European artists of the 17th century, spending his career from 1623 in the service of Philip IV of Spain. His early canvases comprised bodegones and religious paintings, but as a court artist he was largely occupied in executing portraits, while also producing some historical, mythological and further religious works. His painting was deeply affected by the work of Rubens and by Venetian artists, especially Titian, as well as by the experience of two trips (1629-31 and 1649-51) to Italy. Under these joint influences he developed a uniquely personal style characterized by very loose, expressive brushwork.


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VELAZQUEZ, Diego Rodriguez de Silva y Smelt factory oil


Smelt factory
Painting ID::  54763
Smelt factory
mk237 1630 Oil on canvas 222x290cm
mk237 1630 Oil_on_canvas 222x290cm
   
   
     

VELAZQUEZ, Diego Rodriguez de Silva y Detail of Smelt factory oil


Detail of Smelt factory
Painting ID::  54764
Detail of Smelt factory
mk237
mk237
   
   
     

VELAZQUEZ, Diego Rodriguez de Silva y Detail of Smelt factory oil


Detail of Smelt factory
Painting ID::  54765
Detail of Smelt factory
mk237
mk237
   
   
     

VELAZQUEZ, Diego Rodriguez de Silva y Study of Head-portrait of Abolo oil


Study of Head-portrait of Abolo
Painting ID::  54766
Study of Head-portrait of Abolo
mk237 1630 Oil on canvas 36.3x25.2cm
mk237 1630 Oil_on_canvas 36.3x25.2cm
   
   
     

VELAZQUEZ, Diego Rodriguez de Silva y The man-s bloodstain coat oil


The man-s bloodstain coat
Painting ID::  54767
The man-s bloodstain coat
mk237 1630 Oil on canvas 223x250cm
mk237 1630 Oil_on_canvas 223x250cm
   
   
     

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     VELAZQUEZ, Diego Rodriguez de Silva y
     Spanish Baroque Era Painter, 1599-1660 Spanish painter. He was one of the most important European artists of the 17th century, spending his career from 1623 in the service of Philip IV of Spain. His early canvases comprised bodegones and religious paintings, but as a court artist he was largely occupied in executing portraits, while also producing some historical, mythological and further religious works. His painting was deeply affected by the work of Rubens and by Venetian artists, especially Titian, as well as by the experience of two trips (1629-31 and 1649-51) to Italy. Under these joint influences he developed a uniquely personal style characterized by very loose, expressive brushwork.

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