VELAZQUEZ, Diego Rodriguez de Silva y

Spanish Baroque Era Painter, 1599-1660 Spanish painter. He was one of the most important European artists of the 17th century, spending his career from 1623 in the service of Philip IV of Spain. His early canvases comprised bodegones and religious paintings, but as a court artist he was largely occupied in executing portraits, while also producing some historical, mythological and further religious works. His painting was deeply affected by the work of Rubens and by Venetian artists, especially Titian, as well as by the experience of two trips (1629-31 and 1649-51) to Italy. Under these joint influences he developed a uniquely personal style characterized by very loose, expressive brushwork.


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VELAZQUEZ, Diego Rodriguez de Silva y Portrait of Filipu rid horse oil


Portrait of Filipu rid horse
Painting ID::  54768
Portrait of Filipu rid horse
mk237 393x267cm 1645
mk237 393x267cm 1645
   
   
     

VELAZQUEZ, Diego Rodriguez de Silva y Detail of Portrait of Filipu rid horse oil


Detail of Portrait of Filipu rid horse
Painting ID::  54769
Detail of Portrait of Filipu rid horse
mk237
mk237
   
   
     

VELAZQUEZ, Diego Rodriguez de Silva y Basite and him playmate oil


Basite and him playmate
Painting ID::  54770
Basite and him playmate
mk237 1631
mk237 1631
   
   
     

VELAZQUEZ, Diego Rodriguez de Silva y Artistic  family oil


Artistic family
Painting ID::  54771
Artistic family
mk237 1659 Oil on canvas
mk237 1659 Oil_on_canvas
   
   
     

VELAZQUEZ, Diego Rodriguez de Silva y Younger courtier oil


Younger courtier
Painting ID::  54772
Younger courtier
mk237 1626-1628 oil on canvas 89x69cm
mk237 1626-1628 oil_on_canvas 89x69cm
   
   
     

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     VELAZQUEZ, Diego Rodriguez de Silva y
     Spanish Baroque Era Painter, 1599-1660 Spanish painter. He was one of the most important European artists of the 17th century, spending his career from 1623 in the service of Philip IV of Spain. His early canvases comprised bodegones and religious paintings, but as a court artist he was largely occupied in executing portraits, while also producing some historical, mythological and further religious works. His painting was deeply affected by the work of Rubens and by Venetian artists, especially Titian, as well as by the experience of two trips (1629-31 and 1649-51) to Italy. Under these joint influences he developed a uniquely personal style characterized by very loose, expressive brushwork.

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