VELAZQUEZ, Diego Rodriguez de Silva y

Spanish Baroque Era Painter, 1599-1660 Spanish painter. He was one of the most important European artists of the 17th century, spending his career from 1623 in the service of Philip IV of Spain. His early canvases comprised bodegones and religious paintings, but as a court artist he was largely occupied in executing portraits, while also producing some historical, mythological and further religious works. His painting was deeply affected by the work of Rubens and by Venetian artists, especially Titian, as well as by the experience of two trips (1629-31 and 1649-51) to Italy. Under these joint influences he developed a uniquely personal style characterized by very loose, expressive brushwork.


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VELAZQUEZ, Diego Rodriguez de Silva y Cross oil


Cross
Painting ID::  54773
Cross
mk237 1632 Oil on canvas 250x170cm
mk237 1632 Oil_on_canvas 250x170cm
   
   
     

VELAZQUEZ, Diego Rodriguez de Silva y Detail of cross oil


Detail of cross
Painting ID::  54774
Detail of cross
mk237
mk237
   
   
     

VELAZQUEZ, Diego Rodriguez de Silva y Conquer Buleida oil


Conquer Buleida
Painting ID::  54775
Conquer Buleida
mk237 1633-1635 Oil on canvas 307x367cm
mk237 1633-1635 Oil_on_canvas 307x367cm
   
   
     

VELAZQUEZ, Diego Rodriguez de Silva y Detail of  Conquer Buleida oil


Detail of Conquer Buleida
Painting ID::  54776
Detail of Conquer Buleida
mk237
mk237
   
   
     

VELAZQUEZ, Diego Rodriguez de Silva y Filipu oil


Filipu
Painting ID::  54777
Filipu
mk237 1635 Oil on canvas 301x314cm
mk237 1635 Oil_on_canvas 301x314cm
   
   
     

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     VELAZQUEZ, Diego Rodriguez de Silva y
     Spanish Baroque Era Painter, 1599-1660 Spanish painter. He was one of the most important European artists of the 17th century, spending his career from 1623 in the service of Philip IV of Spain. His early canvases comprised bodegones and religious paintings, but as a court artist he was largely occupied in executing portraits, while also producing some historical, mythological and further religious works. His painting was deeply affected by the work of Rubens and by Venetian artists, especially Titian, as well as by the experience of two trips (1629-31 and 1649-51) to Italy. Under these joint influences he developed a uniquely personal style characterized by very loose, expressive brushwork.

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