VELAZQUEZ, Diego Rodriguez de Silva y

Spanish Baroque Era Painter, 1599-1660 Spanish painter. He was one of the most important European artists of the 17th century, spending his career from 1623 in the service of Philip IV of Spain. His early canvases comprised bodegones and religious paintings, but as a court artist he was largely occupied in executing portraits, while also producing some historical, mythological and further religious works. His painting was deeply affected by the work of Rubens and by Venetian artists, especially Titian, as well as by the experience of two trips (1629-31 and 1649-51) to Italy. Under these joint influences he developed a uniquely personal style characterized by very loose, expressive brushwork.


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VELAZQUEZ, Diego Rodriguez de Silva y Peasant oil


Peasant
Painting ID::  54784
Peasant
mk237 1645-1650 Oil on canvas 65x51.3cm
mk237 1645-1650 Oil_on_canvas 65x51.3cm
   
   
     

VELAZQUEZ, Diego Rodriguez de Silva y Lady oil


Lady
Painting ID::  54785
Lady
mk237 1650 Oil on canvas 65x59cm
mk237 1650 Oil_on_canvas 65x59cm
   
   
     

VELAZQUEZ, Diego Rodriguez de Silva y Barber oil


Barber
Painting ID::  54786
Barber
mk237 1650 Oil on canvas 50.5x47cm
mk237 1650 Oil_on_canvas 50.5x47cm
   
   
     

VELAZQUEZ, Diego Rodriguez de Silva y Maximi oil


Maximi
Painting ID::  54787
Maximi
mk237 1650 Oil on canvas 73.6x58.5cm
mk237 1650 Oil_on_canvas 73.6x58.5cm
   
   
     

VELAZQUEZ, Diego Rodriguez de Silva y Bishop oil


Bishop
Painting ID::  54788
Bishop
mk237 1650-1651 Oil on canvas 61x48.5cm
mk237 1650-1651 Oil_on_canvas 61x48.5cm
   
   
     

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     VELAZQUEZ, Diego Rodriguez de Silva y
     Spanish Baroque Era Painter, 1599-1660 Spanish painter. He was one of the most important European artists of the 17th century, spending his career from 1623 in the service of Philip IV of Spain. His early canvases comprised bodegones and religious paintings, but as a court artist he was largely occupied in executing portraits, while also producing some historical, mythological and further religious works. His painting was deeply affected by the work of Rubens and by Venetian artists, especially Titian, as well as by the experience of two trips (1629-31 and 1649-51) to Italy. Under these joint influences he developed a uniquely personal style characterized by very loose, expressive brushwork.

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