VELAZQUEZ, Diego Rodriguez de Silva y

Spanish Baroque Era Painter, 1599-1660 Spanish painter. He was one of the most important European artists of the 17th century, spending his career from 1623 in the service of Philip IV of Spain. His early canvases comprised bodegones and religious paintings, but as a court artist he was largely occupied in executing portraits, while also producing some historical, mythological and further religious works. His painting was deeply affected by the work of Rubens and by Venetian artists, especially Titian, as well as by the experience of two trips (1629-31 and 1649-51) to Italy. Under these joint influences he developed a uniquely personal style characterized by very loose, expressive brushwork.


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VELAZQUEZ, Diego Rodriguez de Silva y Detail of Weaver oil


Detail of Weaver
Painting ID::  54794
Detail of Weaver
mk237
mk237
   
   
     

VELAZQUEZ, Diego Rodriguez de Silva y Queen oil


Queen
Painting ID::  54795
Queen
mk237 1655-1656 Oil on canvas 46.5x43cm
mk237 1655-1656 Oil_on_canvas 46.5x43cm
   
   
     

VELAZQUEZ, Diego Rodriguez de Silva y Queen oil


Queen
Painting ID::  54796
Queen
mk237 1656 Oil on canvas 64.7x54.6cm
mk237 1656 Oil_on_canvas 64.7x54.6cm
   
   
     

VELAZQUEZ, Diego Rodriguez de Silva y Princess oil


Princess
Painting ID::  54797
Princess
mk237 1656 Oil on canvas 105x88cm
mk237 1656 Oil_on_canvas 105x88cm
   
   
     

VELAZQUEZ, Diego Rodriguez de Silva y Moqilk and Aergesi oil


Moqilk and Aergesi
Painting ID::  54798
Moqilk and Aergesi
mk237 1659 Oil on canvas 128x250cm
mk237 1659 Oil_on_canvas 128x250cm
   
   
     

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     VELAZQUEZ, Diego Rodriguez de Silva y
     Spanish Baroque Era Painter, 1599-1660 Spanish painter. He was one of the most important European artists of the 17th century, spending his career from 1623 in the service of Philip IV of Spain. His early canvases comprised bodegones and religious paintings, but as a court artist he was largely occupied in executing portraits, while also producing some historical, mythological and further religious works. His painting was deeply affected by the work of Rubens and by Venetian artists, especially Titian, as well as by the experience of two trips (1629-31 and 1649-51) to Italy. Under these joint influences he developed a uniquely personal style characterized by very loose, expressive brushwork.

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