VELAZQUEZ, Diego Rodriguez de Silva y

Spanish Baroque Era Painter, 1599-1660 Spanish painter. He was one of the most important European artists of the 17th century, spending his career from 1623 in the service of Philip IV of Spain. His early canvases comprised bodegones and religious paintings, but as a court artist he was largely occupied in executing portraits, while also producing some historical, mythological and further religious works. His painting was deeply affected by the work of Rubens and by Venetian artists, especially Titian, as well as by the experience of two trips (1629-31 and 1649-51) to Italy. Under these joint influences he developed a uniquely personal style characterized by very loose, expressive brushwork.


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VELAZQUEZ, Diego Rodriguez de Silva y Palace handmaiden oil


Palace handmaiden
Painting ID::  54799
Palace handmaiden
mk237 1656 Oil on canvas
mk237 1656 Oil_on_canvas
   
   
     

VELAZQUEZ, Diego Rodriguez de Silva y Detail of Palace handmaiden oil


Detail of Palace handmaiden
Painting ID::  54800
Detail of Palace handmaiden
mk237
mk237
   
   
     

VELAZQUEZ, Diego Rodriguez de Silva y Detail of Palace handmaiden oil


Detail of Palace handmaiden
Painting ID::  54801
Detail of Palace handmaiden
mk237
mk237
   
   
     

VELAZQUEZ, Diego Rodriguez de Silva y Detail of Palace handmaiden oil


Detail of Palace handmaiden
Painting ID::  54802
Detail of Palace handmaiden
mk237
mk237
   
   
     

VELAZQUEZ, Diego Rodriguez de Silva y Detail of Palace handmaiden oil


Detail of Palace handmaiden
Painting ID::  54803
Detail of Palace handmaiden
mk237
mk237
   
   
     

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     VELAZQUEZ, Diego Rodriguez de Silva y
     Spanish Baroque Era Painter, 1599-1660 Spanish painter. He was one of the most important European artists of the 17th century, spending his career from 1623 in the service of Philip IV of Spain. His early canvases comprised bodegones and religious paintings, but as a court artist he was largely occupied in executing portraits, while also producing some historical, mythological and further religious works. His painting was deeply affected by the work of Rubens and by Venetian artists, especially Titian, as well as by the experience of two trips (1629-31 and 1649-51) to Italy. Under these joint influences he developed a uniquely personal style characterized by very loose, expressive brushwork.

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