VELAZQUEZ, Diego Rodriguez de Silva y

Spanish Baroque Era Painter, 1599-1660 Spanish painter. He was one of the most important European artists of the 17th century, spending his career from 1623 in the service of Philip IV of Spain. His early canvases comprised bodegones and religious paintings, but as a court artist he was largely occupied in executing portraits, while also producing some historical, mythological and further religious works. His painting was deeply affected by the work of Rubens and by Venetian artists, especially Titian, as well as by the experience of two trips (1629-31 and 1649-51) to Italy. Under these joint influences he developed a uniquely personal style characterized by very loose, expressive brushwork.
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VELAZQUEZ, Diego Rodriguez de Silva y Breakfast ar oil


Breakfast ar
Painting ID::  9443 		Breakfast ar
about 1617 Oil on canvas, 183 x 116 cm The Hermitage, St. Petersburg
   
   
     
VELAZQUEZ, Diego Rodriguez de Silva y Peasants at the Table (El Almuerzo) r oil


Peasants at the Table (El Almuerzo) r
Painting ID::  9444 		Peasants at the Table (El Almuerzo) r
c. 1620 Oil on canvas, 96 x 112 cm Museum of Fine Arts, Budapest
   
   
     
VELAZQUEZ, Diego Rodriguez de Silva y The Immaculate Conception set oil


The Immaculate Conception set
Painting ID::  9445 		The Immaculate Conception set
c. 1618 Oil on canvas, 135 x 101.6 cm National Gallery, London
   
   
     
VELAZQUEZ, Diego Rodriguez de Silva y Old Woman Poaching Eggs et oil


Old Woman Poaching Eggs et
Painting ID::  9446 		Old Woman Poaching Eggs et
1618 OIl on canvas, 99 x 128 cm National Gallery of Scotland, Edinburgh
   
   
     
VELAZQUEZ, Diego Rodriguez de Silva y St John the Evangelist at Patmos t oil


St John the Evangelist at Patmos t
Painting ID::  9447 		St John the Evangelist at Patmos t
c. 1618 Oil on canvas, 135 x 102 cm National Gallery, London
   
   
     
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     VELAZQUEZ, Diego Rodriguez de Silva y
     Spanish Baroque Era Painter, 1599-1660 Spanish painter. He was one of the most important European artists of the 17th century, spending his career from 1623 in the service of Philip IV of Spain. His early canvases comprised bodegones and religious paintings, but as a court artist he was largely occupied in executing portraits, while also producing some historical, mythological and further religious works. His painting was deeply affected by the work of Rubens and by Venetian artists, especially Titian, as well as by the experience of two trips (1629-31 and 1649-51) to Italy. Under these joint influences he developed a uniquely personal style characterized by very loose, expressive brushwork.

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