VELAZQUEZ, Diego Rodriguez de Silva y

Spanish Baroque Era Painter, 1599-1660 Spanish painter. He was one of the most important European artists of the 17th century, spending his career from 1623 in the service of Philip IV of Spain. His early canvases comprised bodegones and religious paintings, but as a court artist he was largely occupied in executing portraits, while also producing some historical, mythological and further religious works. His painting was deeply affected by the work of Rubens and by Venetian artists, especially Titian, as well as by the experience of two trips (1629-31 and 1649-51) to Italy. Under these joint influences he developed a uniquely personal style characterized by very loose, expressive brushwork.
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VELAZQUEZ, Diego Rodriguez de Silva y Menippus t oil


Menippus t
Painting ID::  9475 		Menippus t
1636-40 Oil on canvas, 179 x 94 cm Museo del Prado, Madrid
   
   
     
VELAZQUEZ, Diego Rodriguez de Silva y Mars, God of War wet oil


Mars, God of War wet
Painting ID::  9476 		Mars, God of War wet
1640 Oil on canvas, 179 x 95 cm Museo del Prado, Madrid
1640 Oil_on_canvas,_179_x_95_cm Museo_del_Prado,_Madrid
   
   
     
VELAZQUEZ, Diego Rodriguez de Silva y Self-portrait wry oil


Self-portrait wry
Painting ID::  9477 		Self-portrait wry
1640 Oil on canvas, 45,5 x 38 cm Museo Provincial, Valencia
   
   
     
VELAZQUEZ, Diego Rodriguez de Silva y The Coronation of the Virgin jh oil


The Coronation of the Virgin jh
Painting ID::  9478 		The Coronation of the Virgin jh
1641-44 Oil on canvas, 176 x 124 cm Museo del Prado, Madrid
   
   
     
VELAZQUEZ, Diego Rodriguez de Silva y Sts Paul the Hermit and Anthony Abbot ar oil


Sts Paul the Hermit and Anthony Abbot ar
Painting ID::  9479 		Sts Paul the Hermit and Anthony Abbot ar
c. 1642 Oil on canvas, 257 x 188 cm Museo del Prado, Madrid
   
   
     
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     VELAZQUEZ, Diego Rodriguez de Silva y
     Spanish Baroque Era Painter, 1599-1660 Spanish painter. He was one of the most important European artists of the 17th century, spending his career from 1623 in the service of Philip IV of Spain. His early canvases comprised bodegones and religious paintings, but as a court artist he was largely occupied in executing portraits, while also producing some historical, mythological and further religious works. His painting was deeply affected by the work of Rubens and by Venetian artists, especially Titian, as well as by the experience of two trips (1629-31 and 1649-51) to Italy. Under these joint influences he developed a uniquely personal style characterized by very loose, expressive brushwork.

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