Vincenzo Foppa

1427-1516 Italian Vincenzo Foppa Locations Italian painter. Giving new life to the art of the Lombard school, he exercised a great influence upon northern Italian art until the advent of Leonardo da Vinci. He settled (c.1456) in Pavia. There and in Milan he executed many important frescoes, most of which have been destroyed. He painted religious subjects exclusively, ranging from powerful renditions of the Crucifixion (Bergamo) to poignant depictions of the Madonna (Milan; Johnson Coll., Philadelphia; Davis Coll., Newport, R.I.; National Gall. of Art, Washington, D.C.). His large altarpiece of the Madonna and Child with Saints (Brera, Milan) is a notable example of his technical skill and variety of characterization.
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Vincenzo Foppa Madonna and Child with an Angel k oil


Madonna and Child with an Angel k
Painting ID::  1235 		Madonna and Child with an Angel k
1479-80 Galleria degli Uffizi, Florence
1479-80__ Galleria_degli_Uffizi,_Florence
   
   
     
Vincenzo Foppa The Adoration of the Kings oil


The Adoration of the Kings
Painting ID::  42978 		The Adoration of the Kings
mk170 circa 1490 Oil on poplar 238.3x210.8cm
mk170 circa_1490 Oil_on_poplar 238.3x210.8cm
   
   
     
Vincenzo Foppa Saint Anthony of Padua Vincenzo Foppa oil


Saint Anthony of Padua Vincenzo Foppa
Painting ID::  82648 		Saint Anthony of Padua Vincenzo Foppa
Oil on panel, 148.9 x 57 cm Washington, National Gallery of Art cjr
   
   
     
Vincenzo Foppa Adoration of the Christ Child oil


Adoration of the Christ Child
Painting ID::  98298 		Adoration of the Christ Child
second half of 15th century Medium tempera and oil on panel cyf
   
   
     
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     Vincenzo Foppa
     1427-1516 Italian Vincenzo Foppa Locations Italian painter. Giving new life to the art of the Lombard school, he exercised a great influence upon northern Italian art until the advent of Leonardo da Vinci. He settled (c.1456) in Pavia. There and in Milan he executed many important frescoes, most of which have been destroyed. He painted religious subjects exclusively, ranging from powerful renditions of the Crucifixion (Bergamo) to poignant depictions of the Madonna (Milan; Johnson Coll., Philadelphia; Davis Coll., Newport, R.I.; National Gall. of Art, Washington, D.C.). His large altarpiece of the Madonna and Child with Saints (Brera, Milan) is a notable example of his technical skill and variety of characterization.

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