Vittore Carpaccio

Italian 1455-1526 Vittore Carpaccio Locations His name is associated with the cycles of lively and festive narrative paintings that he executed for several of the Venetian scuole, or devotional confraternities. He also seems to have enjoyed a considerable reputation as a portrait painter. While evidently owing much in both these fields to his older contemporaries, Gentile and Giovanni Bellini, Carpaccio quickly evolved a readily recognizable style of his own which is marked by a taste for decorative splendour and picturesque anecdote. His altarpieces and smaller devotional works are generally less successful, particularly after about 1510, when he seems to have suffered a crisis of confidence in the face of the radical innovations of younger artists such as Giorgione and Titian.


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Vittore Carpaccio Meeting of the Betrothed Couple (detail) oil


Meeting of the Betrothed Couple (detail)
Painting ID::  32271
Meeting of the Betrothed Couple (detail)
1495 Tempera on canvas
1495 Tempera_on_canvas
   
   
     

Vittore Carpaccio The Dream of St Ursula oil


The Dream of St Ursula
Painting ID::  40270
The Dream of St Ursula
mk156 1495 Tempera on canvas 274x267cm
mk156 1495 Tempera_on_canvas 274x267cm
   
   
     

Vittore Carpaccio Venetian Ladies,known as the courtesans oil


Venetian Ladies,known as the courtesans
Painting ID::  41182
Venetian Ladies,known as the courtesans
mk157 c.1490 Oil on wood 94x61cm
mk157 c.1490 Oil_on_wood 94x61cm
   
   
     

Vittore Carpaccio Triumph of St. George oil


Triumph of St. George
Painting ID::  41205
Triumph of St. George
mk157 1502-07 Oil on canvas 141x360cm
mk157 1502-07 Oil_on_canvas 141x360cm
   
   
     

Vittore Carpaccio Christ on the Mount of Olives oil


Christ on the Mount of Olives
Painting ID::  41206
Christ on the Mount of Olives
mk157 1501-03 oil on canvas 141x107cm
mk157 1501-03 oil_on_canvas 141x107cm
   
   
     

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     Vittore Carpaccio
     Italian 1455-1526 Vittore Carpaccio Locations His name is associated with the cycles of lively and festive narrative paintings that he executed for several of the Venetian scuole, or devotional confraternities. He also seems to have enjoyed a considerable reputation as a portrait painter. While evidently owing much in both these fields to his older contemporaries, Gentile and Giovanni Bellini, Carpaccio quickly evolved a readily recognizable style of his own which is marked by a taste for decorative splendour and picturesque anecdote. His altarpieces and smaller devotional works are generally less successful, particularly after about 1510, when he seems to have suffered a crisis of confidence in the face of the radical innovations of younger artists such as Giorgione and Titian.

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