Vittore Carpaccio

Italian 1455-1526 Vittore Carpaccio Locations His name is associated with the cycles of lively and festive narrative paintings that he executed for several of the Venetian scuole, or devotional confraternities. He also seems to have enjoyed a considerable reputation as a portrait painter. While evidently owing much in both these fields to his older contemporaries, Gentile and Giovanni Bellini, Carpaccio quickly evolved a readily recognizable style of his own which is marked by a taste for decorative splendour and picturesque anecdote. His altarpieces and smaller devotional works are generally less successful, particularly after about 1510, when he seems to have suffered a crisis of confidence in the face of the radical innovations of younger artists such as Giorgione and Titian.


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Vittore Carpaccio The Holy Ursula dromas oil


The Holy Ursula dromas
Painting ID::  53714
The Holy Ursula dromas
mk234 1494 275x265cm
mk234_ 1494_ 275x265cm
   
   
     

Vittore Carpaccio dream of st.ursula oil


dream of st.ursula
Painting ID::  55980
dream of st.ursula
mk247 1495,tempera on canvas,108x105 in,274x267 cm,gallerie dell accademia,venice,ltaly
   
   
     

Vittore Carpaccio vision of st.augustine oil


vision of st.augustine
Painting ID::  55992
vision of st.augustine
mk247 1502 to 08 , oil on canvas,55x82 in,141x210 cmo,scuola di san giorgio degli schiavoni,venice,ltaly
   
   
     

Vittore Carpaccio The Dream of St. Ursula oil


The Dream of St. Ursula
Painting ID::  58293
The Dream of St. Ursula
The Dream of St. Ursula, 1495; tempera on canvas, 274 x 267 cm Gallerie dell'Accademia, Venice.
   
   
     

Vittore Carpaccio reve de sainte ursule oil


reve de sainte ursule
Painting ID::  71058
reve de sainte ursule
mk289 1495 venise galleria dell accademia
mk289_1495_venise_galleria_dell_accademia
   
   
     

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     Vittore Carpaccio
     Italian 1455-1526 Vittore Carpaccio Locations His name is associated with the cycles of lively and festive narrative paintings that he executed for several of the Venetian scuole, or devotional confraternities. He also seems to have enjoyed a considerable reputation as a portrait painter. While evidently owing much in both these fields to his older contemporaries, Gentile and Giovanni Bellini, Carpaccio quickly evolved a readily recognizable style of his own which is marked by a taste for decorative splendour and picturesque anecdote. His altarpieces and smaller devotional works are generally less successful, particularly after about 1510, when he seems to have suffered a crisis of confidence in the face of the radical innovations of younger artists such as Giorgione and Titian.

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