Vittore Carpaccio

Italian 1455-1526 Vittore Carpaccio Locations His name is associated with the cycles of lively and festive narrative paintings that he executed for several of the Venetian scuole, or devotional confraternities. He also seems to have enjoyed a considerable reputation as a portrait painter. While evidently owing much in both these fields to his older contemporaries, Gentile and Giovanni Bellini, Carpaccio quickly evolved a readily recognizable style of his own which is marked by a taste for decorative splendour and picturesque anecdote. His altarpieces and smaller devotional works are generally less successful, particularly after about 1510, when he seems to have suffered a crisis of confidence in the face of the radical innovations of younger artists such as Giorgione and Titian.
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Vittore Carpaccio The Ambassadors Depart oil


The Ambassadors Depart
Painting ID::  86608 		The Ambassadors Depart
Date between 1495(1495) and 1500(1500) Medium Oil on canvas Dimensions 280 x 253 cm (110.2 x 99.6 in) cjr
   
   
     
Vittore Carpaccio The Annunciation oil


The Annunciation
Painting ID::  86828 		The Annunciation
Date 1504(1504) Medium Oil and tempera on canvas Dimensions Height: 130 cm (51.2 in). Width: 140 cm (55.1 in). cjr
   
   
     
Vittore Carpaccio The Meditation on the Passion oil


The Meditation on the Passion
Painting ID::  86878 		The Meditation on the Passion
Date c. 1510(1510) Medium Oil and tempera on wood Dimensions Height: 70.5 cm (27.8 in). Width: 86.7 cm (34.1 in). cjr
   
   
     
Vittore Carpaccio Two Venetian Ladies oil


Two Venetian Ladies
Painting ID::  91188 		Two Venetian Ladies
1510(1510) Medium oil on panel Dimensions Height: 94 cm (37 in). Width: 64 cm (25.2 in). cyf
   
   
     
Vittore Carpaccio Salvator Mundi oil


Salvator Mundi
Painting ID::  91467 		Salvator Mundi
c. 1510 Medium oil on panel Dimensions Deutsch: 58 x 46,5 cm cjr
   
   
     
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     Vittore Carpaccio
     Italian 1455-1526 Vittore Carpaccio Locations His name is associated with the cycles of lively and festive narrative paintings that he executed for several of the Venetian scuole, or devotional confraternities. He also seems to have enjoyed a considerable reputation as a portrait painter. While evidently owing much in both these fields to his older contemporaries, Gentile and Giovanni Bellini, Carpaccio quickly evolved a readily recognizable style of his own which is marked by a taste for decorative splendour and picturesque anecdote. His altarpieces and smaller devotional works are generally less successful, particularly after about 1510, when he seems to have suffered a crisis of confidence in the face of the radical innovations of younger artists such as Giorgione and Titian.

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