WEENIX, Jan Baptist

Dutch Baroque Era Painter, 1621-ca.1663 Painter and draughtsman, son of Jan Baptist Weenix. Jan probably received his first instruction as a painter from his father, and it is possible that he helped finish certain of his father's works. He probably remained in Utrecht after his father's death. By 1664 he had become a member of the Guild of St Luke in Utrecht without, however, having submitted the required entrance painting, which he provided by 1668. There are several documented references to Jan in the late 1660s. He inherited a legacy along with his uncle, the painter Barent Micker, and other family members in 1667, at which time Gillis, his younger brother, apparently still required a guardian. He received another legacy in 1668, the year of his marriage, and in 1669 served as a witness for the inventory of the painter Jacob de Hennin (1629-c. 1688) in The Hague.
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WEENIX, Jan Baptist Ancient Ruins oil


Ancient Ruins
Painting ID::  7173 		Ancient Ruins
Oil on canvas, 80,5 x 68,3 cm Museum of Fine Arts, Budapest
   
   
     
WEENIX, Jan Baptist Ancient Ruins oil


Ancient Ruins
Painting ID::  7174 		Ancient Ruins
Oil on canvas Museum of Fine Arts, Budapest
Oil_on_canvas Museum_of_Fine_Arts,_Budapest
   
   
     
WEENIX, Jan Baptist Dead Partridge oil


Dead Partridge
Painting ID::  7175 		Dead Partridge
Oil on canvas, 50,6 x 43,5 cm Mauritshuis, The Hague
Oil_on_canvas,_50,6_x_43,5_cm Mauritshuis,_The_Hague
   
   
     
WEENIX, Jan Baptist The Ford oil


The Ford
Painting ID::  7176 		The Ford
1647 Oil on canvas, 100 x 131,5 cm The Hermitage, St. Petersburg
   
   
     
WEENIX, Jan Baptist Detail of Ancient Ruins oil


Detail of Ancient Ruins
Painting ID::  28506 		Detail of Ancient Ruins
Oil on canvas Museum of Fine Arts, Budapest
Oil_on_canvas Museum_of_Fine_Arts,_Budapest
   
   
     
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     WEENIX, Jan Baptist
     Dutch Baroque Era Painter, 1621-ca.1663 Painter and draughtsman, son of Jan Baptist Weenix. Jan probably received his first instruction as a painter from his father, and it is possible that he helped finish certain of his father's works. He probably remained in Utrecht after his father's death. By 1664 he had become a member of the Guild of St Luke in Utrecht without, however, having submitted the required entrance painting, which he provided by 1668. There are several documented references to Jan in the late 1660s. He inherited a legacy along with his uncle, the painter Barent Micker, and other family members in 1667, at which time Gillis, his younger brother, apparently still required a guardian. He received another legacy in 1668, the year of his marriage, and in 1669 served as a witness for the inventory of the painter Jacob de Hennin (1629-c. 1688) in The Hague.

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