WERTINGER, Hans

German painter (b. 1465, Landshut, d. 1533, Landshut) German painter and woodcutter. An artist as ambitious as Lucas Cranach I, he became one of Germany's first accredited court painters, working for the Dukes of Landshut in the triangular area defined by Ingolstadt, Straubing and Munich. The son of a functionary working for the Dukes, he was probably first taught by a certain Sigmund Gleism?ller (c. 1449-1511). Hans Mair (Mair von Landshut), who had come from Augsburg and had settled in Landshut, seems to have prompted him to work as a journeyman in Augsburg. His acquisition of citizen's rights in Landshut in 1491 suggests he was a master by that date. Mair seemingly procured him a series of commissions between 1497 and 1499 from Prince Bishop Philipp of Freising (1480-1541). The only work to survive from this period, however, is the large panel of the Life of St Sigismund (1498) in Freising Cathedral. It retains the deep tones associated with Augsburg painting, and its shape, with a pointed arch at the top, must also have been developed in Augsburg. As in Mair's work, several scenes are assembled in the arch and the side sections, creating a cramped Late Gothic framing architecture,


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WERTINGER, Hans Princess Maria Jacobaa oil


Princess Maria Jacobaa
Painting ID::  7208
Princess Maria Jacobaa
Wood, 69 x 45 cm Alte Pinakothek, Munich
Wood,_69_x_45_cm Alte_Pinakothek,_Munich
   
   
     

WERTINGER, Hans A Village Celebration oil


A Village Celebration
Painting ID::  28488
A Village Celebration
mk60 Oil on panel 9x16"
mk60 Oil_on_panel 9x16"
   
   
     

WERTINGER, Hans Rural Fete oil


Rural Fete
Painting ID::  34268
Rural Fete
mk91 Oil on panel 22.5x40
mk91 Oil_on_panel 22.5x40
   
   
     

WERTINGER, Hans Boar Hunt oil


Boar Hunt
Painting ID::  73795
Boar Hunt
Date between 1525(1525) and 1530(1530) Medium Oil on cradled panel Dimensions 21 X 38.7 cm (8.27 X 15.24 in) cyf
   
   
     

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     WERTINGER, Hans
     German painter (b. 1465, Landshut, d. 1533, Landshut) German painter and woodcutter. An artist as ambitious as Lucas Cranach I, he became one of Germany's first accredited court painters, working for the Dukes of Landshut in the triangular area defined by Ingolstadt, Straubing and Munich. The son of a functionary working for the Dukes, he was probably first taught by a certain Sigmund Gleism?ller (c. 1449-1511). Hans Mair (Mair von Landshut), who had come from Augsburg and had settled in Landshut, seems to have prompted him to work as a journeyman in Augsburg. His acquisition of citizen's rights in Landshut in 1491 suggests he was a master by that date. Mair seemingly procured him a series of commissions between 1497 and 1499 from Prince Bishop Philipp of Freising (1480-1541). The only work to survive from this period, however, is the large panel of the Life of St Sigismund (1498) in Freising Cathedral. It retains the deep tones associated with Augsburg painting, and its shape, with a pointed arch at the top, must also have been developed in Augsburg. As in Mair's work, several scenes are assembled in the arch and the side sections, creating a cramped Late Gothic framing architecture,

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