WITTE, Emanuel de

Dutch Baroque Era Painter, ca.1617-1691 Dutch painter. He was one of the last and, with Pieter Saenredam, one of the most accomplished 17th-century artists who specialized in representing church interiors. He trained with Evert van Aelst (1602-57) in Delft and in 1636 joined the Guild of St Luke at Alkmaar, but he was recorded in Rotterdam in the summers of 1639 and 1640. In October 1641 his daughter was baptized in Delft, where he entered the Guild of St Luke in June 1642 and lived for a decade, moving to Amsterdam c. 1652. He began his long career as an unpromising figure painter, as can be seen in the Vertumnus and Pomona (1644) and two small pendant portraits (1648; all Rotterdam, Mus. Boymans-van Beuningen). Jupiter and Mercury in the House of Philemon and Baucis (1647) and a Rembrandtesque Holy Family
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WITTE, Emanuel de Interior of the Oude Kerk in Amsterdam oil


Interior of the Oude Kerk in Amsterdam
Painting ID::  30581 		Interior of the Oude Kerk in Amsterdam
mk68 Oil on canvas The Hague,Mauritshuis c.1654 Netherlands
   
   
     
WITTE, Emanuel de The Interior of the Oude Kerk,Amsterdam,During a Sermon oil


The Interior of the Oude Kerk,Amsterdam,During a Sermon
Painting ID::  43194 		The Interior of the Oude Kerk,Amsterdam,During a Sermon
mk170 circa 1660 Oil on canvas 51.1x56.2cm
mk170 circa_1660 Oil_on_canvas 51.1x56.2cm
   
   
     
WITTE, Emanuel de Interior of a Protastant Gothic Church oil


Interior of a Protastant Gothic Church
Painting ID::  52558 		Interior of a Protastant Gothic Church
1668 Oil on canvas, 78,5 x 111,5 cm
1668_Oil_on_canvas,_78,5_x_111,5_cm
   
   
     
WITTE, Emanuel de interior of a church oil


interior of a church
Painting ID::  56100 		interior of a church
mk247 c.1680,oil on canvas,47.25x41 in,120x104 cm,hamburger kunsthalle,hamburg,germany
   
   
     
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     WITTE, Emanuel de
     Dutch Baroque Era Painter, ca.1617-1691 Dutch painter. He was one of the last and, with Pieter Saenredam, one of the most accomplished 17th-century artists who specialized in representing church interiors. He trained with Evert van Aelst (1602-57) in Delft and in 1636 joined the Guild of St Luke at Alkmaar, but he was recorded in Rotterdam in the summers of 1639 and 1640. In October 1641 his daughter was baptized in Delft, where he entered the Guild of St Luke in June 1642 and lived for a decade, moving to Amsterdam c. 1652. He began his long career as an unpromising figure painter, as can be seen in the Vertumnus and Pomona (1644) and two small pendant portraits (1648; all Rotterdam, Mus. Boymans-van Beuningen). Jupiter and Mercury in the House of Philemon and Baucis (1647) and a Rembrandtesque Holy Family

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