ZURBARAN Francisco de

Spanish Baroque Era Painter, 1598-1664 Spanish painter. He was apprenticed in 1614 to a painter in Sevilla (Seville), where he lived until 1658 when he moved to Madrid. He had a few royal commissions but remained throughout his life a provincial painter of religious pictures. His apostles, saints, and monks are painted with almost sculptural modeling, and his emphasis on the minutiae of their dress lends verisimilitude to their miracles, visions, and ecstasies. This distinctive combination of naturalism with religious sensibility conforms to the guidelines for Counter-Reformation artists outlined by the Council of Trent. He had numerous commissions from monasteries and churches throughout southern Spain, and many of his works were sent to Lima, Peru.
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ZURBARAN Francisco de Still-life with Lemons, Oranges and Rose oil


Still-life with Lemons, Oranges and Rose
Painting ID::  7096 		Still-life with Lemons, Oranges and Rose
1633 Oil on canvas, 60 x 107 cm Norton Simon Museum of Art, Pasadena
   
   
     
ZURBARAN Francisco de Vision of Blessed Alonso Rodriguez oil


Vision of Blessed Alonso Rodriguez
Painting ID::  7097 		Vision of Blessed Alonso Rodriguez
Oil on canvas Museo de la Academia de San Fernando, Madrid
   
   
     
ZURBARAN Francisco de The Lying-in-State of St. Bonaventura oil


The Lying-in-State of St. Bonaventura
Painting ID::  19141 		The Lying-in-State of St. Bonaventura
1629,,Mus??e du Louvre, Paris
1629,,Mus??e_du_Louvre,_Paris
   
   
     
ZURBARAN Francisco de The Adoration of the Shepherds oil


The Adoration of the Shepherds
Painting ID::  19142 		The Adoration of the Shepherds
1638-39, oil on canvas, Mus??e des Beaux-Arts at Grenoble, France
   
   
     
ZURBARAN Francisco de St. Francis oil


St. Francis
Painting ID::  19143 		St. Francis
Pinakothek at Munich
Pinakothek_at_Munich
   
   
     
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     ZURBARAN Francisco de
     Spanish Baroque Era Painter, 1598-1664 Spanish painter. He was apprenticed in 1614 to a painter in Sevilla (Seville), where he lived until 1658 when he moved to Madrid. He had a few royal commissions but remained throughout his life a provincial painter of religious pictures. His apostles, saints, and monks are painted with almost sculptural modeling, and his emphasis on the minutiae of their dress lends verisimilitude to their miracles, visions, and ecstasies. This distinctive combination of naturalism with religious sensibility conforms to the guidelines for Counter-Reformation artists outlined by the Council of Trent. He had numerous commissions from monasteries and churches throughout southern Spain, and many of his works were sent to Lima, Peru.

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