ZURBARAN Francisco de

Spanish Baroque Era Painter, 1598-1664 Spanish painter. He was apprenticed in 1614 to a painter in Sevilla (Seville), where he lived until 1658 when he moved to Madrid. He had a few royal commissions but remained throughout his life a provincial painter of religious pictures. His apostles, saints, and monks are painted with almost sculptural modeling, and his emphasis on the minutiae of their dress lends verisimilitude to their miracles, visions, and ecstasies. This distinctive combination of naturalism with religious sensibility conforms to the guidelines for Counter-Reformation artists outlined by the Council of Trent. He had numerous commissions from monasteries and churches throughout southern Spain, and many of his works were sent to Lima, Peru.
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ZURBARAN Francisco de St Agatha oil


St Agatha
Painting ID::  7085 		St Agatha
1630-33 Oil on canvas Mus??e Fabre, Montpellier
1630-33 Oil_on_canvas Mus??e_Fabre,_Montpellier
   
   
     
ZURBARAN Francisco de St. Apolonia oil


St. Apolonia
Painting ID::  7086 		St. Apolonia
Oil on canvas, 113 x 66 cm Mus??e du Louvre, Paris
Oil_on_canvas,_113_x_66_cm Mus??e_du_Louvre,_Paris
   
   
     
ZURBARAN Francisco de Apostle St Andrew oil


Apostle St Andrew
Painting ID::  7087 		Apostle St Andrew
1631 Oil on canvas, 146,7 x 61 cm Museum of Fine Arts, Budapest
   
   
     
ZURBARAN Francisco de Defence of Cadiz against the English oil


Defence of Cadiz against the English
Painting ID::  7089 		Defence of Cadiz against the English
1634 Oil on canvas, 302 x 323 cm Museo del Prado, Madrid
   
   
     
ZURBARAN Francisco de St Margaret oil


St Margaret
Painting ID::  7090 		St Margaret
c. 1631 Oil on canvas, 194 x 112 cm National Gallery, London
   
   
     
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     ZURBARAN Francisco de
     Spanish Baroque Era Painter, 1598-1664 Spanish painter. He was apprenticed in 1614 to a painter in Sevilla (Seville), where he lived until 1658 when he moved to Madrid. He had a few royal commissions but remained throughout his life a provincial painter of religious pictures. His apostles, saints, and monks are painted with almost sculptural modeling, and his emphasis on the minutiae of their dress lends verisimilitude to their miracles, visions, and ecstasies. This distinctive combination of naturalism with religious sensibility conforms to the guidelines for Counter-Reformation artists outlined by the Council of Trent. He had numerous commissions from monasteries and churches throughout southern Spain, and many of his works were sent to Lima, Peru.

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