adriaen van ostade

Dutch Baroque Era Painter, 1610-1685 Painter, draughtsman and etcher. According to Houbraken's rather unreliable biography, he was a pupil concurrently with Adriaen Brouwer of Frans Hals in Haarlem. Hals influenced him very little, whereas Brouwer, who was described as 'known far and wide' as early as 1627, had a decisive influence on the evolution of Adriaen van Ostade's always idiosyncratic portrayal of peasant life. The first documentary mention of Adriaen van Ostade as a painter is in 1632 (Schnackenburg, 1970). Most of his paintings are signed and dated, the earliest firmly dated example being the Peasants Playing Cards


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adriaen van ostade Cutting the Feather oil


Cutting the Feather
Painting ID::  90061
Cutting the Feather
second half of 17th century Medium oil on oak panel cyf
   
   
     

adriaen van ostade The Smoker and the Drunkard. oil


The Smoker and the Drunkard.
Painting ID::  90233
The Smoker and the Drunkard.
1660s Medium oil on canvas cjr
1660s _ Medium_oil_on_canvas _ cjr
   
   
     

adriaen van ostade The School Master oil


The School Master
Painting ID::  90278
The School Master
1662(1662) Medium oil on panel Dimensions Height: 40 cm (15.7 in). Width: 33 cm (13 in). cyf
   
   
     

adriaen van ostade Peasant Family in a Cottage Interior oil


Peasant Family in a Cottage Interior
Painting ID::  90599
Peasant Family in a Cottage Interior
1661(1661) Medium oil on oak panel cyf
1661(1661) _ Medium_oil_on_oak_panel _ cyf
   
   
     

adriaen van ostade Bauerntanz in der Scheune oil


Bauerntanz in der Scheune
Painting ID::  90930
Bauerntanz in der Scheune
1635(1635) Medium English: oil on wood cjr
1635(1635) _ Medium_English:_oil_on_wood_ cjr
   
   
     

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     adriaen van ostade
     Dutch Baroque Era Painter, 1610-1685 Painter, draughtsman and etcher. According to Houbraken's rather unreliable biography, he was a pupil concurrently with Adriaen Brouwer of Frans Hals in Haarlem. Hals influenced him very little, whereas Brouwer, who was described as 'known far and wide' as early as 1627, had a decisive influence on the evolution of Adriaen van Ostade's always idiosyncratic portrayal of peasant life. The first documentary mention of Adriaen van Ostade as a painter is in 1632 (Schnackenburg, 1970). Most of his paintings are signed and dated, the earliest firmly dated example being the Peasants Playing Cards

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