baron grimm

German critic. He worked as a diplomat in Paris from 1749. Influenced by the Encyclopedists, he favoured the use of the Italian style in French operas (especially those of Rameau); in the Querelle des Bouffons of the 1750s he rejected all French music in favour of Rousseau, writing the satirical tract Le petit proph??te de Boehmischbroda (1753) and other works. He was a friend to the visiting Mozart family, 1763-4 and 1778.
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baron grimm christophwillibald gluck oil


christophwillibald gluck
Painting ID::  60251 		christophwillibald gluck
mk270 christophwillibald gluck, painted by duplessis in 1775.when gluck was alternating between vienna and paris.
   
   
     
baron grimm for act i of gluck s opera orfeo ed euridice, for a performance of the french version in moscow oil


for act i of gluck s opera orfeo ed euridice, for a performance of the french version in moscow
Painting ID::  60252 		for act i of gluck s opera orfeo ed euridice, for a performance of the french version in moscow
mk270 for act i of gluck s opera orfeo ed euridice, for a performance of the french version in moscow, 1897
   
   
     
baron grimm Orfeo ed Euridice oil


Orfeo ed Euridice
Painting ID::  60253 		Orfeo ed Euridice
mk270 the title page of the first edition of the score of orfeo ed euridice, published in paris in 1764.
   
   
     
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     baron grimm
     German critic. He worked as a diplomat in Paris from 1749. Influenced by the Encyclopedists, he favoured the use of the Italian style in French operas (especially those of Rameau); in the Querelle des Bouffons of the 1750s he rejected all French music in favour of Rousseau, writing the satirical tract Le petit proph??te de Boehmischbroda (1753) and other works. He was a friend to the visiting Mozart family, 1763-4 and 1778.

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