CALRAET, Abraham van

Dutch painter, Dordrecht school (b. 1642, Dordrecht, d. 1722, Dordrecht) Dutch painter. He was the eldest son of Pieter Jansz. van Calraet (c. 1620-81), a sculptor from Utrecht. According to Houbraken, Abraham was taught by the Dordrecht sculptors Aemilius and Samuel Huppe, although nothing is known of his activity as a sculptor. Houbraken also stated that Abraham learnt to paint figures and fruit and that his brother Barent van Calraet (1649-1737), who specialized at first in horse paintings but later imitated the Rhine landscapes of Herman Saftleven, was a pupil of Aelbert Cuyp (see CUYP, (3)). The known signed works by Barent confirm this. A painting of two horses in a stable, initialled APK (Rotterdam, Mus. Boymans-van Beuningen), indicates that Abraham, too, must have been well acquainted with Cuyp and provides the basis for identifying Abraham's painting style. A large number of landscapes with horses, paintings of livestock in stables and still-lifes, all initialled A.C. and formerly attributed to Aelbert Cuyp,


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CALRAET, Abraham van Still-life with Peaches and Grapes oil


Still-life with Peaches and Grapes
Painting ID::  5544
Still-life with Peaches and Grapes
c. 1680 Oil on canvas Mauritshuis, The Hague
c._1680 Oil_on_canvas Mauritshuis,_The_Hague
   
   
     

CALRAET, Abraham van A Horse and Cows in a Landscape oil


A Horse and Cows in a Landscape
Painting ID::  43816
A Horse and Cows in a Landscape
Oil on panel, 28 x 40 cm
Oil_on_panel, 28_x_40_cm
   
   
     

CALRAET, Abraham van Artist Designing After Nature oil


Artist Designing After Nature
Painting ID::  72867
Artist Designing After Nature
Date ca. 1651(1651) Medium Oil on cradled panel Dimensions 27.9 X 45.4 cm (10.98 X 17.87 in) cyf
   
   
     

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     CALRAET, Abraham van
     Dutch painter, Dordrecht school (b. 1642, Dordrecht, d. 1722, Dordrecht) Dutch painter. He was the eldest son of Pieter Jansz. van Calraet (c. 1620-81), a sculptor from Utrecht. According to Houbraken, Abraham was taught by the Dordrecht sculptors Aemilius and Samuel Huppe, although nothing is known of his activity as a sculptor. Houbraken also stated that Abraham learnt to paint figures and fruit and that his brother Barent van Calraet (1649-1737), who specialized at first in horse paintings but later imitated the Rhine landscapes of Herman Saftleven, was a pupil of Aelbert Cuyp (see CUYP, (3)). The known signed works by Barent confirm this. A painting of two horses in a stable, initialled APK (Rotterdam, Mus. Boymans-van Beuningen), indicates that Abraham, too, must have been well acquainted with Cuyp and provides the basis for identifying Abraham's painting style. A large number of landscapes with horses, paintings of livestock in stables and still-lifes, all initialled A.C. and formerly attributed to Aelbert Cuyp,

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