CRIVELLI, Carlo

Italian Early Renaissance Painter, ca.1430-1495 He produced many large, multi-partite altarpieces in which his highly charged, emotional use of line, delight in detail, decoration and citric colours, often set against a gold ground, convey an intensity of expression unequalled elsewhere in Italy. His mastery of perspective was also used for dramatic impact. As he worked in isolation in the Marches, his style only had local influence. In the 19th century,
       Prev  1  2   Next
  Prev Artist       Next Artist     
   
    
CRIVELLI, Carlo Annunciation with St Emidius fg oil


Annunciation with St Emidius fg
Painting ID::  6324 		Annunciation with St Emidius fg
1486 Oil on wood transferred to canvas, 207 x 146,5 cm National Gallery, London
   
   
     
CRIVELLI, Carlo Coronation of the Virgin dgfd oil


Coronation of the Virgin dgfd
Painting ID::  6325 		Coronation of the Virgin dgfd
1493 Panel, 225 x 255 cm Pinacoteca di Brera, Milan
1493 Panel,_225_x_255_cm Pinacoteca_di_Brera,_Milan
   
   
     
CRIVELLI, Carlo Lamentation over the Dead Christ fdg oil


Lamentation over the Dead Christ fdg
Painting ID::  6326 		Lamentation over the Dead Christ fdg
1485 Tempera on panel Museum of Fine Arts, Boston
1485 Tempera_on_panel Museum_of_Fine_Arts,_Boston
   
   
     
CRIVELLI, Carlo The Madonna of the Taper dfg oil


The Madonna of the Taper dfg
Painting ID::  6327 		The Madonna of the Taper dfg
Panel, 218 x 75 cm Pinacoteca di Brera, Milan
Panel,_218_x_75_cm Pinacoteca_di_Brera,_Milan
   
   
     
CRIVELLI, Carlo Madonna and Child; St Francis of Assisi dfg oil


Madonna and Child; St Francis of Assisi dfg
Painting ID::  6328 		Madonna and Child; St Francis of Assisi dfg
1471-72 Wood, 183 x 59,5 cm (each) Mus??es Royaux des Beaux-Arts, Brussels
   
   
     
       Prev  1  2   Next
Prev Artist       Next Artist     
     CRIVELLI, Carlo
     Italian Early Renaissance Painter, ca.1430-1495 He produced many large, multi-partite altarpieces in which his highly charged, emotional use of line, delight in detail, decoration and citric colours, often set against a gold ground, convey an intensity of expression unequalled elsewhere in Italy. His mastery of perspective was also used for dramatic impact. As he worked in isolation in the Marches, his style only had local influence. In the 19th century,

CONTACT US
Xiamen China Wholesale Oil Painting Stretcher Bar Frame Moulding Mirror Framed Stretched Paintings