FABRITIUS, Carel

Dutch Baroque Era Painter, 1622-1654 Painter. His oeuvre consists of a scant dozen paintings, since research has rigorously discounted many previously attributed works. These few paintings, however, document the painter's unique development within his brief 12-year career. He is often mentioned as being the link between Rembrandt and the Delft school, particularly Pieter de Hooch and Jan Vermeer, whose depiction of light owes much to Fabritius's late works in which his use of cool silvery colours to define forms in space marks a radical departure
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FABRITIUS, Carel The Goldfinch dfgh oil


The Goldfinch dfgh
Painting ID::  6627 		The Goldfinch dfgh
1654 Oil on panel, 33,5 x 22,8 Mauritshuis, The Hague
1654 Oil_on_panel,_33,5_x_22,8 Mauritshuis,_The_Hague
   
   
     
FABRITIUS, Carel Self-Portrait sfgh oil


Self-Portrait sfgh
Painting ID::  6628 		Self-Portrait sfgh
1654 Oil on canvas, 70,5 x 61,5 cm National Gallery, London
   
   
     
FABRITIUS, Carel Self-Portrait 1202 oil


Self-Portrait 1202
Painting ID::  6629 		Self-Portrait 1202
c. 1645 Oil on panel, 65 x 49 cm Museum Boymans-van Beuningen, Rotterdam
   
   
     
FABRITIUS, Carel Self-Portrait dfhm oil


Self-Portrait dfhm
Painting ID::  6630 		Self-Portrait dfhm
Oil on panel, 62 x 51 cm Alte Pinakothek, Munich
Oil_on_panel,_62_x_51_cm Alte_Pinakothek,_Munich
   
   
     
FABRITIUS, Carel The Beheading of St. John the Baptist dg oil


The Beheading of St. John the Baptist dg
Painting ID::  6631 		The Beheading of St. John the Baptist dg
Oil on canvas Rijksmuseum, Amsterdam
Oil_on_canvas Rijksmuseum,_Amsterdam
   
   
     
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     FABRITIUS, Carel
     Dutch Baroque Era Painter, 1622-1654 Painter. His oeuvre consists of a scant dozen paintings, since research has rigorously discounted many previously attributed works. These few paintings, however, document the painter's unique development within his brief 12-year career. He is often mentioned as being the link between Rembrandt and the Delft school, particularly Pieter de Hooch and Jan Vermeer, whose depiction of light owes much to Fabritius's late works in which his use of cool silvery colours to define forms in space marks a radical departure

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