FRANCIA, Francesco

Italian High Renaissance Painter, 1450-1517 He turned to painting c. 1485, and his first works already testify to the considerable technical accomplishment and gentle religious sensibility that remained constants of his art. His major surviving paintings are altarpieces, mostly images of the Virgin and saints, initially done for Bologna and later for nearby centres, notably Parma, Modena, Ferrara and Lucca. He also painted many small-scale devotional works and a few portraits. The apochryphal anecdote reported by Vasari that Francia died on seeing Raphael's altarpiece of St Cecilia


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FRANCIA, Francesco The Marriage of St Cecily sds oil


The Marriage of St Cecily sds
Painting ID::  6702
The Marriage of St Cecily sds
1504-06 Fresco S. Giacomo Maggiore, Bologna
1504-06 Fresco S._Giacomo_Maggiore,_Bologna
   
   
     

FRANCIA, Francesco The Burial of St Cecily dfs oil


The Burial of St Cecily dfs
Painting ID::  6703
The Burial of St Cecily dfs
1504-06 Fresco S. Giacomo Maggiore, Bologna
1504-06 Fresco S._Giacomo_Maggiore,_Bologna
   
   
     

FRANCIA, Francesco Crucifixion with Sts John and Jerome de oil


Crucifixion with Sts John and Jerome de
Painting ID::  6704
Crucifixion with Sts John and Jerome de
c. 1485 Oil on wood, 52 x 33,5 cm Collezioni Comunali d'Arte, Bologna
   
   
     

FRANCIA, Francesco Crucifixion xdfgs oil


Crucifixion xdfgs
Painting ID::  6705
Crucifixion xdfgs
1500s Panel S. Giacomo Maggiore, Bologna
1500s Panel S._Giacomo_Maggiore,_Bologna
   
   
     

FRANCIA, Francesco Adoration of the Child sdgh oil


Adoration of the Child sdgh
Painting ID::  6706
Adoration of the Child sdgh
Panel Pinacoteca Nazionale, Bologna
Panel Pinacoteca_Nazionale,_Bologna
   
   
     

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     FRANCIA, Francesco
     Italian High Renaissance Painter, 1450-1517 He turned to painting c. 1485, and his first works already testify to the considerable technical accomplishment and gentle religious sensibility that remained constants of his art. His major surviving paintings are altarpieces, mostly images of the Virgin and saints, initially done for Bologna and later for nearby centres, notably Parma, Modena, Ferrara and Lucca. He also painted many small-scale devotional works and a few portraits. The apochryphal anecdote reported by Vasari that Francia died on seeing Raphael's altarpiece of St Cecilia

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