RAEBURN, Sir Henry

Scottish Romantic Painter, 1756-1823 Scottish painter. He is perhaps the best known of all Scottish painters, with a critical reputation rivalling that of Allan Ramsay. He was almost exclusively a portrait painter, and his work did much to define Scottish society in a period of immense vigour and intellectual distinction. The demand for his work was sufficient to sustain a career wholly in Scotland, although he occasionally regretted his lack of first-hand knowledge of portrait painting in London. His working life, which was largely confined to Edinburgh
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RAEBURN, Sir Henry Reverend Robert Walker Skating on Duddin oil


Reverend Robert Walker Skating on Duddin
Painting ID::  31372 		Reverend Robert Walker Skating on Duddin
nn07
nn07
   
   
     
RAEBURN, Sir Henry Portrait of Miss Eleanor Urquhart. oil


Portrait of Miss Eleanor Urquhart.
Painting ID::  31373 		Portrait of Miss Eleanor Urquhart.
nn07 c.1793. Oil on canvas. National Gallery of Art, Washington, DC, USA.
   
   
     
RAEBURN, Sir Henry Jams Cruikshank oil


Jams Cruikshank
Painting ID::  31824 		Jams Cruikshank
mk76 Painted between c.1805 and 1808 Oil on canvas 50x40in
   
   
     
RAEBURN, Sir Henry Mrs.James Cruikshank oil


Mrs.James Cruikshank
Painting ID::  31825 		Mrs.James Cruikshank
mk76 Painted between c.1805 and 1808 Oil on canvas 50 3/4x40in
   
   
     
RAEBURN, Sir Henry Portrait of Sir John Sinclair oil


Portrait of Sir John Sinclair
Painting ID::  43916 		Portrait of Sir John Sinclair
1794-95 Oil on canvas, 238 x 154 cm
1794-95_ Oil_on_canvas,_ 238_x_154_cm
   
   
     
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     RAEBURN, Sir Henry
     Scottish Romantic Painter, 1756-1823 Scottish painter. He is perhaps the best known of all Scottish painters, with a critical reputation rivalling that of Allan Ramsay. He was almost exclusively a portrait painter, and his work did much to define Scottish society in a period of immense vigour and intellectual distinction. The demand for his work was sufficient to sustain a career wholly in Scotland, although he occasionally regretted his lack of first-hand knowledge of portrait painting in London. His working life, which was largely confined to Edinburgh

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