Naldini, Giovanni Battista

Italian, 1537-91 was an Italian painter of a late-Mannerism in Florence. His first apprenticeship (1549-57) was in the studio of Jacopo Pontormo. He went from Rome for a number of months following 1560, and was recruited to work for Giorgio Vasari in 1562. He painted two crowded, mannerist canvas for the Studiolo of Francesco I in the Palazzo Vecchio: the Allegory of Dreams and the Gathering of Ambergris. He supplied altarpieces to Santa Maria Novella and Santa Croce. He painted an altarpiece of Calling of Saint Matthew for the Salviati Chapel in San Marco, where he worked alongside Francesco Morandini. Ultimately, he is aptly described by Freedberg as displaying work distantly derivative from the style of Andrea del Sarto, as expressed by Naldini's two mentors and Sarto's two pupils: Pontormo and Vasari.


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Naldini, Giovanni Battista Bathsheba Bathing oil


Bathsheba Bathing
Painting ID::  19600
Bathsheba Bathing
Oil on canvas, transferred from panel The Hermitage, St. Petersburg.
   
   
     

Naldini, Giovanni Battista Bathsheba Bathing oil


Bathsheba Bathing
Painting ID::  29110
Bathsheba Bathing
mk65 Oil on canvas tranferred from panel 71 1/2x59'
mk65 Oil_on_canvas tranferred_from_panel 71_1/2x59'
   
   
     

Naldini, Giovanni Battista Lamentation over the Dead Christ oil


Lamentation over the Dead Christ
Painting ID::  88811
Lamentation over the Dead Christ
between 1572(1572) and 1573(1573) Medium Oil on poplar cyf
   
   
     

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     Naldini, Giovanni Battista
     Italian, 1537-91 was an Italian painter of a late-Mannerism in Florence. His first apprenticeship (1549-57) was in the studio of Jacopo Pontormo. He went from Rome for a number of months following 1560, and was recruited to work for Giorgio Vasari in 1562. He painted two crowded, mannerist canvas for the Studiolo of Francesco I in the Palazzo Vecchio: the Allegory of Dreams and the Gathering of Ambergris. He supplied altarpieces to Santa Maria Novella and Santa Croce. He painted an altarpiece of Calling of Saint Matthew for the Salviati Chapel in San Marco, where he worked alongside Francesco Morandini. Ultimately, he is aptly described by Freedberg as displaying work distantly derivative from the style of Andrea del Sarto, as expressed by Naldini's two mentors and Sarto's two pupils: Pontormo and Vasari.

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